Search
vivo
Picture of Derrick Dunn

Derrick Dunn

Vivo is joyous family entertainment

Director Kirk DeMicco teams with actor and musician Lin-Manuel Miranda for the animated family film Vivo. The film follows a one-of-kind kinkajou (aka a rainforest “honey bear,” voiced by Miranda) named Vivo, who spends his days playing music to the crowds in a lively square with his beloved owner Andrés (Juan de Marcos). Though they may not speak the same language, Vivo and Andrés are the perfect performing duo through their shared love of music. 

Sadly, tragedy strikes after Andrés receives a letter from the famous Marta Sandoval (Gloria Estefan), inviting her old partner to her farewell concert with the hope of reconnecting. It’s up to Vivo to deliver a message that Andrés never could: A love letter to Marta, written long ago, in the form of a song. Yet, to get to Marta, who lives a world apart, Vivo will need the help of Gabi (Ynairaly Simo) — an energetic tween who bounces to the beat of her offbeat drum to fulfill his owner’s wishes

The script for Vivo arrives from the film’s director and Quiara Alegría Hudes. Hats off to the writers for introducing us to Vivo’s talent right away in the film’s opening. It was a great way to start the movie, and as my family and I both viewed the scene, we were tapping our feet along to the beat. However, similar to most family films, the setup for Vivo to make his way to America is overly predictable. 

Once in America, the charm of Vivo begins as we watch Vivo and Gabi develop a relationship. The supporting cast for Vivo includes the voices of Zoe Saldaña as Gabi’s mother, Rosa; Michael Rooker as a villainous Everglades python, Lutador; Brian Tyree Henry and Nicole Byer as a pair of star-crossed spoonbills; and Katie Lowes, Olivia Trujillo, and Lidya Jewett as a trio of well-meaning but overzealous scout troops.

With a run of time of ninety-five minutes, Vivo is quick and enjoyable family entertainment.

Final Grade: B

Vivo is available to stream on Netflix this Friday August 6th

Movie Clappers

More to explorer

“The Wedding Banquet” is a sharp and tender dramedy that does the original justice

Director Andrew Ahn presents an insightful and heartfelt comedy in his updated version of Ang Lee’s classic 1993 film “The Wedding Banquet.” Ahn co-wrote the film with James Schamus. The 2025 remake maintains the original film’s spirit while investigating themes of cultural identity and queerness through the lens of chosen family dynamics. Through humor and grace, the film, led by Bowen Yang alongside Lily Gladstone and Kelly Marie Tran, examines themes of love, tradition, and self-discovery.

“Screamboat” is bloody & badly acted low budget fun

Director Steven LaMorte takes advantage of copyright expiring for an iconic character in his latest film, “Screamboat” from Sleight of Hands Productions. LaMorte pens the screenplay with Matthew Garcia-Dunn. Opening with a traditional slasher film kill, “Screamboat” introduces us to Selena (Allison Pittel), a tour guide from the Gopher state who has moved to the Big Apple to chase her fashion designer dreams.

“The Friend” wisely avoids the typical pooch movie tropes

Typically, films resort to standard emotional triggers and endearing canine imagery, resulting in predictable tear-jerking experiences. However, “The Friend” successfully transcends these genre clichés, presenting a far more nuanced and rewarding narrative than merely depicting a woman’s life named Iris (portrayed by Naomi Watts) following her encounter with a dog.

Facebook
Twitter
LinkedIn

© Copyright Reviews & Dunn. All rights reserved

website designed by Red Robin Digital designers