Michael Jai White steps behind the camera as Jaxen, a tough ex-cop turned private investigator, who navigates modern-day Atlanta like a character straight out of a 1970s blaxploitation film. This deliberate homage sets the tone from the very beginning. Jaxen is tasked with locating a missing R&B star named Jahari, leading him into a complex web of crooked studio executives, street gangs, and conspiracy. The film is filled with slow-motion scenes and smoky clubs that capture the genre’s glamor and grit.
White’s strength lies not only in his martial arts skills but also in the quiet authority he brings to Jaxen. His minimalistic style in both movement and emotion grounds the film. In contrast, Method Man’s character, Money, brings energy to every scene; he is a jittery, fast-talking foil whose charisma alleviates the stoic tension and adds the right amount of swagger. Gillian White—Michael’s real-life spouse—also holds her own as Gina, Jaxen’s old ally. She engages in both physical confrontations and flirtatious banter with Jaxen, elevating her role beyond typical supporting characters.
From a stylistic perspective, “Trouble Man” shines with its slick suits, retro soul beats, and a clear awareness of its influences. However, comparisons to the genre’s golden age expose some limitations: the plot feels shallow, the supporting cast is underutilized, and the narrative fails to explore Jaxen’s motivations in depth.
“Trouble Man” proudly embraces its blaxploitation roots, delivering exciting thrills, nostalgic flair, and enough charisma to make Jaxen an intriguing throwback hero. However, beneath the stylish surface lies a story that is too thin, predictable, and at times, looks cheap, preventing it from standing out significantly. In the end, it serves as an affectionate genre homage—with enough entertainment value, though it may not have lasting impact.
Final Grade : B+
“Trouble Man” is available on digital now.
Aldis Hodge is back on the case as Alex Cross for Season 2 of Prime Video’s “Cross”. Ben Watkins returns as showrunner, with directors including Stacy Muhammad and Craig Siebels.
Civil War dramas often measure valor through cannon fire and cavalry charges. However, “The Gray House*“valuates valor through coded messages, calculated risks, and the steady nerves of women who understood that information could be deadlier than any rifle. This eight-episode limited series reframes the conflict not from the battlefield, but from the drawing rooms of Richmond, where loyalty is performed, and survival depends on silence.
It’s been a month since I finished my first run at Sundance, and I’m finally getting the chance to see some of the films I missed as they began to premiere. One of those films is “In the Blink of an Eye,” which is available on Hulu. The film is directed by Andrew Stanton and written by Colby Day.