Esteemed documentary filmmaker Dawn Porter embarks on a compelling journey into the life and musical legacy of Luther Vandross in her latest project, ‘Luther: Never Too Much.’ This documentary stands out with its insightful interviews, rare footage, and carefully crafted screenplay that brings Vandross’s story to life. The evocative musical score by Grammy winner Robert Glasper and the executive production by Oscar winner Jamie Foxx further elevate the project, ensuring a poignant and comprehensive exploration of Vandross’ remarkable career and influence.
The documentary meticulously chronicles Luther Vandross’s illustrious near-40-year tenure in the entertainment industry, capturing his monumental achievements and the challenges he faced due to negative media scrutiny regarding his weight and his rumored sexuality. It features a rich array of performance footage, archived interviews with Vandross, and insightful conversations with close associates and collaborators.
One of my biggest regrets is not seeing Luther live in 2002 on his BK Got Music Summer Soul Tour when my mom had an extra ticket. Sadly, a year later, he had a stroke and would never perform again. Thankfully, Porter takes a warts-and-all-all approach to “Luther: Never Too Much,” giving us tidbits about his early life up to his forced retirement. Hearing his childhood friend Fonzie and others speak about his early passion was inspiring. I commend Porter for telling us that no gig was too small for Luther, as the man just wanted to sing.
Robert Glasper’s lush score, Bryan Gentry’s enchanting cinematography, and Mark Fason’s seamless editing captivated me, shedding light on familiar stories about Mr. Vandross and surprising new ones. I was especially delighted to learn about his witty comeback roast of Eddie Murphy at a show in the eighties and the fascinating behind-the-scenes tale of recording “Endless Love” with Mariah Carey. Without giving away too much, I applaud Porter for masterfully handling Luther’s love life in the documentary with grace and sensitivity.
Naturally, Luther’s vast musical treasure trove might leave some diehard fans wishing for more, but the documentary strikes a balance by highlighting key moments. It’s heartwarming to hear Clive Davis speak passionately about Luther’s enthusiasm while working on his 2001 album. The overwhelming adoration he received for his massive hit ‘Dance With My Father’ and the touching story behind it add a bittersweet note to the narrative, making it a well-rounded tribute to Luther’s musical journey.
“Luther: Never Too Much” might be seen by some as a typical biographical documentary that covers the basics, but there’s no denying the enduring magic of Luther’s music. By the time the credits roll, any tears shed will have been well and truly deserved.
Final Grade: A
“Luther: Never Too Much” premieres at the Tribeca Film Festival today and runs through the weekend. It will premiere on CNN, OWN, and Max in 2025
Seth Rogen continues his successful relationship with Apple TV in his latest comedic series, “The Studio.” Rogen and his longtime collaborator, Evan Goldberg, direct all ten episodes and write three. Peter Huyck, Alex Gregory, and Frida Perez write the remaining episodes.
Director Geremy Jasper attempts to modernize the rock opera genre in his sophomore film, “O’Dessa,” available on Hulu. Jasper also pens the film’s screenplay. Rising actress Sadie Sink portrays the titular character, a farm girl searching to recover a cherished family heirloom. She travels to a strange and dangerous city, where she meets her one true love, Euri Dervish (Kelvin Harrison Jr.). To save his soul, she must put the power of destiny to the ultimate test.
Academy Award nominee Peter Craig collaborates with fellow nominee Ridley Scott to adapt Dennis Tafoya’s novel Dope Thief for television. Airing on Apple TV, this eight-episode series stars Oscar nominee Brian Tyree Henry in the lead role and also features Wagner Moura, Marin Ireland, Kate Mulgrew, Nesta Cooper, Amir Arison, and Ving Rhames.