K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
R&B band Tony! Toni! Toné! was already immensely successful when their fourth album House of Music, hit stores on November 19, 1996. The Tonies kicked off the project with the dance flop bop “Let’s Get Down” and the lush ballad “Thinking of You.”
However, for this week’s Slow Jam Saturday, I wanted to showcase one of my favorite album tracks from the project, “Still A Man.”
Written and produced by group member Raphael Saadiq, “Still A Man” was the nineties personification of the slow drag. Saadiq lets the instrumental ride out for a minute before coming through a passionate vocal. The sincerity in Saadiq’s voice is genuine as he croons:
“Now looking here, I’m still standin’
Since the last time that you walked away, honey
See me and the kids are left here disappointed
We don’t have nothin’ to do
But wonder where you’re headed, baby
Have you ever loved somebody
Who loves you so much it hurts you to hurt them so bad?
Have you ever loved somebody
Who loves you so much it hurts you to hurt them so bad?”
I personally always felt the song is a story about a man who has let his woman down, causing her to exit the relationship. Naturally, the man knows the errors of his ways, and while he’s failing, he’s still a man. Sadly as of 2022, House of Music is the last album by the group. Nevertheless, “Still A Man” is a beautiful ballad that holds up twenty-five years later.
Final Grade: A
“Still A Man” from House Of Music is available on all streaming platforms.
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.