R&B band Tony! Toni! Toné! was already immensely successful when their fourth album House of Music, hit stores on November 19, 1996. The Tonies kicked off the project with the dance flop bop “Let’s Get Down” and the lush ballad “Thinking of You.”
However, for this week’s Slow Jam Saturday, I wanted to showcase one of my favorite album tracks from the project, “Still A Man.”
Written and produced by group member Raphael Saadiq, “Still A Man” was the nineties personification of the slow drag. Saadiq lets the instrumental ride out for a minute before coming through a passionate vocal. The sincerity in Saadiq’s voice is genuine as he croons:
“Now looking here, I’m still standin’
Since the last time that you walked away, honey
See me and the kids are left here disappointed
We don’t have nothin’ to do
But wonder where you’re headed, baby
Have you ever loved somebody
Who loves you so much it hurts you to hurt them so bad?
Have you ever loved somebody
Who loves you so much it hurts you to hurt them so bad?”
I personally always felt the song is a story about a man who has let his woman down, causing her to exit the relationship. Naturally, the man knows the errors of his ways, and while he’s failing, he’s still a man. Sadly as of 2022, House of Music is the last album by the group. Nevertheless, “Still A Man” is a beautiful ballad that holds up twenty-five years later.
Final Grade: A
“Still A Man” from House Of Music is available on all streaming platforms.
This past Friday marked the 40th anniversary of “The Voice,” a.k.a. Whiney Houston’s self-titled debut album hitting stores. So, in that regard, it was only right to give Nippy her flowers for this week’s Second Listen Sunday.
For this weekend’s Slow Jam Saturday, I wanted to take a trip to Motor City and show some love to soul singer Dwele. It was 2005, and I was living in the UK as part of my Air Force enlistment. Dwele had just released his second album, “Some Kinda,” enjoying some chart success with the lead single “I Think I Love U,” by Mike City.
The remainder of the album maintains a classic R&B vibe, showcasing the group’s signature sound. One of the standout tracks is “Maybe Tomorrow,” featuring the iconic Phyllis Hyman. It transforms difficult circumstances into positive outcomes—essentially making lemonade from lemons.