Tayarisha Poe, the esteemed writer and director known for her widely acclaimed debut “Selah and the Spades,” presents “The Young Wife,” a unique Afrocentric love story that stands out in the genre for its nuanced portrayal of societal pressures and personal struggles. Produced by Republic Pictures, the film’s narrative delves into the emotional turmoil of Celestina (Kiersey Clemons) as she grapples with the tumultuous expectations of family and friends on the day of her nuptials to River (Leon Bridges). The film intricately explores the challenges these societal pressures pose, contributing to Celestina’s escalating anxiety and apprehension as she embarks on marital bliss, inviting the audience to empathize with her journey deeply.
Celestina finds herself entrenched in a dispiriting job and burdened by regret for distancing herself from her close-knit friend group following a personal tragedy. Additionally, her mother, Angelique (Sheryl Lee Ralph), holds traditional views on relationships and remains skeptical about Celestina’s forthcoming marriage. Even the usually entertaining Meditation Mary show, hosted by Lovie Simone (in a great extended cameo), fails to lift her spirits. Given the nature of weddings, Celestina adopts a cheerful façade to please River’s family members, including his mother, Lara (Michaela Watkins), and his grandmother, Cookie (Judith Light). She also contends with his Fern (Lukita Maxwell), Rose (Aya Cash), and Daisy (Sandy Honig). Her circle of friends, who play significant roles in her life and decisions, includes Sabrina (Aida Osman), Tessa (Kelly Marie Tran), Geoffrey (Connor Paolo), and Ayman (Brandon Michael Hall).
Potential viewers should know a few things about ‘The Young Wife.’ Firstly, while the film takes place in 2033, Tayarisha Poe doesn’t overdo the futuristic elements. Secondly, the film is a challenging watch that requires the viewer to pay attention. The film’s fundamental purpose is to delve into the intricate inquiry of how assuming the role of a spouse entails adherence to societal expectations and stereotypes. This intellectual provocation is a pivotal element of the film, capturing the audience’s curiosity and promoting contemplation of the presented themes at a profound level, stimulating their intellect.
Clemons skillfully portrays the mounting pressure and spiraling panic threatening her path to marital bliss. Many women will be able to relate to her character’s arc. Leon Bridges also shines as her soon-to-be husband, adding depth and charm to their on-screen relationship. The supporting cast of veterans, including Sheryl Lee Ralph, Judith Light, River’s mother, Leah (Michaela Watkins), and his grandmother, Cookie (Judith Light), also deliver strong performances.
While I won’t revisit the film anytime soon, director Tayarisha Poe avoids the sophomore slump to deliver a poignant and thought-provoking exploration of love, family, and the pursuit of happiness.
Final Grade: B
“The Young Wife” is available On Digital Today
Growing up in the nineties, movies aimed at a melanin audience often featured soundtracks that had to be just as flavorful as the films themselves. This week, for Slow Jam Saturday, I want to take a trip back to 1993 and highlight one of the slow jams from the soundtrack of “Menace II Society”.
Last week marked two significant anniversaries for one of the greatest artists of all time, Mr. Prince Rogers Nelson. It’s only fitting that I show him some love for Second Listen Sunday. The first anniversary was on the 21st, commemorating nine years since his passing. The second anniversary was on the 22nd, celebrating the 40th anniversary of his seventh studio album, “Around the World in a Day.”
One of my most significant decisions late last year was to pledge to Iota Phi Theta Fraternity, Inc. At the time of this writing, I am in Atlantic City for my fraternity’s Regional Conference, where I will represent my chapter, Beta Alpha Omega. In that regard, I believe the perfect song for this week’s Slow Jam Saturday is “The Best Man I Can Be.”