Tayarisha Poe, the esteemed writer and director known for her widely acclaimed debut “Selah and the Spades,” presents “The Young Wife,” a unique Afrocentric love story that stands out in the genre for its nuanced portrayal of societal pressures and personal struggles. Produced by Republic Pictures, the film’s narrative delves into the emotional turmoil of Celestina (Kiersey Clemons) as she grapples with the tumultuous expectations of family and friends on the day of her nuptials to River (Leon Bridges). The film intricately explores the challenges these societal pressures pose, contributing to Celestina’s escalating anxiety and apprehension as she embarks on marital bliss, inviting the audience to empathize with her journey deeply.
Celestina finds herself entrenched in a dispiriting job and burdened by regret for distancing herself from her close-knit friend group following a personal tragedy. Additionally, her mother, Angelique (Sheryl Lee Ralph), holds traditional views on relationships and remains skeptical about Celestina’s forthcoming marriage. Even the usually entertaining Meditation Mary show, hosted by Lovie Simone (in a great extended cameo), fails to lift her spirits. Given the nature of weddings, Celestina adopts a cheerful façade to please River’s family members, including his mother, Lara (Michaela Watkins), and his grandmother, Cookie (Judith Light). She also contends with his Fern (Lukita Maxwell), Rose (Aya Cash), and Daisy (Sandy Honig). Her circle of friends, who play significant roles in her life and decisions, includes Sabrina (Aida Osman), Tessa (Kelly Marie Tran), Geoffrey (Connor Paolo), and Ayman (Brandon Michael Hall).
Potential viewers should know a few things about ‘The Young Wife.’ Firstly, while the film takes place in 2033, Tayarisha Poe doesn’t overdo the futuristic elements. Secondly, the film is a challenging watch that requires the viewer to pay attention. The film’s fundamental purpose is to delve into the intricate inquiry of how assuming the role of a spouse entails adherence to societal expectations and stereotypes. This intellectual provocation is a pivotal element of the film, capturing the audience’s curiosity and promoting contemplation of the presented themes at a profound level, stimulating their intellect.
Clemons skillfully portrays the mounting pressure and spiraling panic threatening her path to marital bliss. Many women will be able to relate to her character’s arc. Leon Bridges also shines as her soon-to-be husband, adding depth and charm to their on-screen relationship. The supporting cast of veterans, including Sheryl Lee Ralph, Judith Light, River’s mother, Leah (Michaela Watkins), and his grandmother, Cookie (Judith Light), also deliver strong performances.
While I won’t revisit the film anytime soon, director Tayarisha Poe avoids the sophomore slump to deliver a poignant and thought-provoking exploration of love, family, and the pursuit of happiness.
Final Grade: B
“The Young Wife” is available On Digital Today
For their second single, the group presented a ballad entitled “Feels Like The First Time.” Once again, Greene handles the lyrics, while Neville Hodge is responsible for production duties. Greene begins the song with robust energy, proclaiming his love for the lady. Greene’s group members provide stellar work on the background vocals, and the songs eschew nineties R&B without going into crass vulgarity.
The ballad was composed by Michael Masser and lyricist Gerry Goffin, and it was first recorded by Dionne Warwick in 1981. Eight years later, Natalie Cole covered the song, shortening the title. It became the fourth single from her twelfth album, “Good to Be Back.”
Braxton’s vocal talent is perfect on the standards “Christmas Time Is Here,” “Have Yourself a Merry Little Christmas,” and “The Christmas Song.” However, like any good R&B Christmas album, it is the soulful yuletide bops where Braxton truly shines. The album’s first single, “Snowflakes of Love,” is instrumental of Earl Klugh’s “Now We’re One”. Braxton’s lush vocals encapsulate the warmth and joy of romantic love amidst a wintery backdrop.