Director Janeen Damian’s film “The Wrong Paris”, written by Nicole Henrich, is a romantic comedy that unapologetically embraces clichés, inviting viewers to lean into its vibrant charm. The premise is hilariously absurd: Miranda Cosgrove stars as a starry-eyed contestant who believes she is flying to Paris, France, for a dating show, only to land in the neon-lit atmosphere of Paris, Texas, unexpectedly. The film plays with this premise without ever feeling the need to apologize, which is refreshing.
Cosgrove, who has matured into a delightfully self-aware performer, skillfully captures her character’s dismay for comedic effect. Watching her devise increasingly desperate plans to get eliminated from the show adds to the film’s modest appeal. However, she soon finds herself falling for the handsome but unexpectedly sincere bachelor, portrayed by Pierson Fodé. He looks like a typical CW heartthrob, embodying the role perfectly, and this alignment with archetypes is part of the film’s charm.
The supporting cast fits neatly into their roles in the romantic comedy. Madison Pettis plays the rival with a bite, delivering both advice and sarcasm. Madeleine Arthur portrays a wide-eyed naïf so convincingly that you might expect her to be overwhelmed by the Texas backdrop. Frances Fisher appears in a grand dame role, a character who seems to predict the romantic outcome long before anyone else does. At the same time, Yvonne Orji steals scenes as the unflappable host who enjoys creating drama. While none of these roles break new ground, the cast’s enthusiasm is palpable and adds to the film’s infectious energy.
Damian directs with a light touch, showcasing sunsets, small-town diners, and expansive fields that symbolize destiny. There’s nothing subtle about this film, but subtlety isn’t its aim. The Wrong Paris knows precisely what it is: a playful, sugary tribute to the romantic comedy formula.
Final Grade: B-
“The Wrong Paris” is now available to stream on Netflix.
Aldis Hodge is back on the case as Alex Cross for Season 2 of Prime Video’s “Cross”. Ben Watkins returns as showrunner, with directors including Stacy Muhammad and Craig Siebels.
Civil War dramas often measure valor through cannon fire and cavalry charges. However, “The Gray House*“valuates valor through coded messages, calculated risks, and the steady nerves of women who understood that information could be deadlier than any rifle. This eight-episode limited series reframes the conflict not from the battlefield, but from the drawing rooms of Richmond, where loyalty is performed, and survival depends on silence.
It’s been a month since I finished my first run at Sundance, and I’m finally getting the chance to see some of the films I missed as they began to premiere. One of those films is “In the Blink of an Eye,” which is available on Hulu. The film is directed by Andrew Stanton and written by Colby Day.