Directors Rodney Lucas and Taylor Ward team up for a compelling installment in Netflix’s “Untold” series with “Untold: The Murder of Air McNair.” This documentary delves into the tragic story of Air McNair’s murder, offering an in-depth exploration of the events surrounding this high-profile case.
I hold no qualms about my lack of sports knowledge, so I had no idea who Steve “Air” McNair was or the tragedy that befall him. One of the first things I want to point out about the documentary is that we don’t hear from McNair’s family. I respected the decision, as the family may not have wanted to return to that place. The documentary follows Steve McNair’s journey from his college at Alcorn State to his professional career with the Tennessee Titans and the Baltimore Ravens. It highlights his impact on the game and his reputation as a fierce competitor and compassionate teammate. Naturally, the documentary also focuses on the night of July 4, 2009, when McNair was found dead in his Nashville condominium alongside Sahel “Jenni” Kazemi, a 20-year-old woman he had been romantically involved with.
“Untold: The Murder of Air McNair” carefully examines the investigation, presenting evidence, police reports, and interviews with key figures. One of the documentary’s strengths is its balanced portrayal of McNair and Kazemi’s complex relationship. Through interviews with friends, family, and investigators, viewers gain insight into Kazemi’s background, her relationship with McNair, and the emotional turmoil she experienced leading up to the tragic incident. This approach humanizes both individuals and adds depth to the narrative.
The documentary also explores the media frenzy surrounding the case, examining how the press and public reacted to the shocking news. It raises critical questions about privacy, the impact of fame, and the unseen pressures professional athletes face. The controversies and speculations after McNair’s death, thoroughly examining the theories and rumors that circulated are also addressed.
Visually, “Untold: The Murder of Air McNair” is compelling, using archival footage and crime scene photos to create a vivid and immersive experience. The cinematography is complemented by a haunting score that underscores the story’s emotional weight. In terms of storytelling, the documentary maintains a tight narrative pace while covering all aspects of the case. The interviews are particularly poignant, with heartfelt recollections from McNair’s former coach and friends adding a personal touch to the broader investigation. We also hear from Kazemi’s family.
However, some viewers and fans of McNair might find the documentary occasionally veering into sensationalism, especially when discussing unverified theories. Despite this, it succeeds in painting a comprehensive and respectful portrait of Steve McNair and the tragic circumstances of his death. “Untold: The Murder of Air McNair” is a compelling and thought-provoking documentary that provides a detailed account of a case that continues to resonate. It is a must-watch for sports fans, true crime enthusiasts, and anyone interested in the complexities of human relationships and the dark side of fame.
Final Grade: B+
“Untold: The Murder of Air McNair” is available to stream on Netflix this Tuesday, August 20.
For their second single, the group presented a ballad entitled “Feels Like The First Time.” Once again, Greene handles the lyrics, while Neville Hodge is responsible for production duties. Greene begins the song with robust energy, proclaiming his love for the lady. Greene’s group members provide stellar work on the background vocals, and the songs eschew nineties R&B without going into crass vulgarity.
The ballad was composed by Michael Masser and lyricist Gerry Goffin, and it was first recorded by Dionne Warwick in 1981. Eight years later, Natalie Cole covered the song, shortening the title. It became the fourth single from her twelfth album, “Good to Be Back.”
Braxton’s vocal talent is perfect on the standards “Christmas Time Is Here,” “Have Yourself a Merry Little Christmas,” and “The Christmas Song.” However, like any good R&B Christmas album, it is the soulful yuletide bops where Braxton truly shines. The album’s first single, “Snowflakes of Love,” is instrumental of Earl Klugh’s “Now We’re One”. Braxton’s lush vocals encapsulate the warmth and joy of romantic love amidst a wintery backdrop.