Before Kenny “Babyface” Edmonds and L.A. Reid became in-demand producers, they were members of the R&B band, The Deele. The other members of the group were Carlos “Satin” Greene, Darnell “Dee” Bristol, Stanley “Stick” Burke, and Kevin “Kayo” Roberson. Reid and Edmonds were part of the group’s line-up for the group’s first three albums. Eyes of a Stranger, the final album Reid and Edmonds contributed to, is this week’s Second Listen Sunday selection.
The Deele had already made a name with his like “Body Talk” and “Sweet November” from the first two albums. However, after lacing Peebles and The Whispers with hits songs, the production talents of Babyface and LA increased the duo’s popularity, and other artists highly sought their production skills.
“Two Occasions,” which would go on to become a Quiet Storm staple. The song is a beautiful ballad that finds a man expressing his feelings for a woman. Surprisingly It is the only song on the album that features Babyface on lead vocals which he alternates between himself, Darnell Bristol, and Carlos “Satin” Greene. Kenny Nolan wrote the second single, “Shoot Em Up Movies,” a charming ballad about meeting a potential mate at a movie theater. “Let No Separate Us” is an excellent close to the ballads that open up the album.
The rest of the album is made for the dance floor. The majority of the song features synth sounds with superb arrangement and production. However, while I’m sure the production sounded great at the club in the late eighties, I was still waiting for something to catch my attention at the age of forty-one. Frankly, it seems like LA and Babyface were saving all the other good beats for other artists and just wanted to jam out with their bandmates.
The up-tempo material from Eyes of a Stranger didn’t age particularly well for my tastes. However, considering the very strong ballads on the project, I’ll allow it.
Final Grade: B
Eyes of a Stranger is available on all streaming platforms.
From his early days in the family group Wings of Faith, Mr. Gill was born to make music. However, as R&B fans know, Johnny Gill’s initial release with Atlantic Records failed to make a significant impact when it first came out. The 1983 self-titled debut showed a strong voice struggling to adapt to a studio that couldn’t properly utilize its power.
My introduction to Myron was with the song “Sistas” on the “Eddie” soundtrack in the summer of 1996. Before setting up his solo album, Myron would write classics for Mya and Dru Hill. “Destiny” was written by Myron and Tyrice Jones, and the latter was also producing. Set to a sample of Herbie Hancock’s “Come Running to Me”, the song explores how fate governs the formation of connections between people meant to exist from the beginning.
Music producers transitioning to a solo album is common in the music industry. For this week’s Second Listen Sunday, I want to revisit Sean Garrett’s solo debut, “Turbo 919,” released in 2008.