Search
The Courier
Picture of Derrick Dunn

Derrick Dunn

The Courier is a Dull Cold War Thriller

Director Dominic Cooke brings the life story of British engineer and businessman Greville Wynne to the big screen in The Courier from Lionsgate and Roadside Attractions. Greville Wynne (Benedict Cumberbatch) finds himself recruited into one of the most significant international conflicts in history. At the behest of the UK’s MI-6 and a CIA operative (Rachel Brosnahan), he forms a covert, dangerous partnership with Soviet officer Oleg Penkovsky (Merab Ninidze). The mission to provide crucial intelligence needed to prevent a nuclear confrontation and defuse the Cuban Missile Crisis.

Set in the early sixties, The Courier is a thinking person’s spy film or, in laymen’s terms, a movie for adults. I did not expect a movie full of death-defying stunts and hand-to-hand combat sequences from the premise alone, but I did want something a little faster-paced. Benedict Cumberbatch is acceptable in the lead role and brings some life to the script from writer Tom O’Connor. I particularly enjoyed his scenes with Jessie Buckley, who portrays his wife Shelia, who deals with her husband’s newfound job and its effects on her family.

I was not familiar with Merab Ninidze, who portrays Soviet officer Oleg Penkovsky. I assume the filmmakers wanted us to identify with Oleg Penkovsky, which explains why they chose an unknown actor. The rest of the supporting cast all give paycheck performances. The only one who stands out is Rachel Brosnahan as CIA operative Emily Donovan.

I commend Greville Wynne for his bravery, and while Benedict Cumberbatch does a great job in the lead role, as a whole, The Courier missed the mark for me.

Final Grade C-

The Courier is showing in theaters now.

Movie Clappers

More to explorer

“Screamboat” is bloody & badly acted low budget fun

Director Steven LaMorte takes advantage of copyright expiring for an iconic character in his latest film, “Screamboat” from Sleight of Hands Productions. LaMorte pens the screenplay with Matthew Garcia-Dunn. Opening with a traditional slasher film kill, “Screamboat” introduces us to Selena (Allison Pittel), a tour guide from the Gopher state who has moved to the Big Apple to chase her fashion designer dreams.

“The Friend” wisely avoids the typical pooch movie tropes

Typically, films resort to standard emotional triggers and endearing canine imagery, resulting in predictable tear-jerking experiences. However, “The Friend” successfully transcends these genre clichés, presenting a far more nuanced and rewarding narrative than merely depicting a woman’s life named Iris (portrayed by Naomi Watts) following her encounter with a dog.

“Freaky Tales” is a wild ride through Oakland

For their new Lionsgate film “Freaky Tales,” directors Anna Boden and Ryan Fleck revisit the 1980s. This visually stunning and narratively bold anthology immerses its viewers in the frenzied depths of 1987 Oakland through four linked crime and music stories of chaos. The pulsating soundtrack and the profound respect for the era’s cultural fabric make “Freaky Tales” an electrifying journey through unpredictable storytelling.

Facebook
Twitter
LinkedIn

© Copyright Reviews & Dunn. All rights reserved

website designed by Red Robin Digital designers