Hayman and Kier Face Off in the Hauntingly Ambiguous “My Neighbor Adolf”
Director Leon Prudovsky’s latest film, My Neighbor Adolf, from Cohen Media Group, arrives with a premise that demands precision: set in Colombia shortly after Israel’s capture of Adolf Eichmann in 1960, the film centers on Mr. Polsky (David Hayman), a cantankerous Polish Holocaust survivor living in isolated rural exile. He tends his rose garden, plays solitary chess, and carries the weight of unspeakable loss.
Tessa Thompson and Jon Bernthal Ignite Netflix’s Twisty “His & Hers”
Netflix’s new psychological thriller, “His & Hers”, immerses us in the oppressive heat of Georgia, where former news anchor Anna (Tessa Thompson) has retreated into near-total isolation in Atlanta, allowing her career and friendships to deteriorate. However, a report of a murder in the sleepy town of Dahlonega—where she grew up—snaps her back to reality.
‘Cover-Up’ review: Seymour Hersh and the long war against official silence
In the new Netflix documentary “Cover-Up,” Seymour Hersh’s career unfolds not as a triumphant victory lap but as a long-standing record of resistance against power, institutional silence, and the convenient amnesia that often passes for history.
‘Goodbye June’ review: Kate Winslet’s directorial debut explores family, grief and Christmas
Two weeks before Christmas, June (Helen Mirren) collapses at her kitchen counter, the kettle still warming, the day already lost. At the hospital, the verdict is swift and unsparing: the cancer has advanced beyond intervention, and time has narrowed to a matter of days
A sinfully good threequel: “Wake Up Dead Man” justifies its own existence
“Wake Up Dead Man” marks the third entry in Rian Johnson’s “Knives Out” saga, an expansion that feels almost accidental. The first film was a sharp, self-contained mystery—a clever modern riff that didn’t necessarily call for sequels.
Opening the Vault: “The New Yorker” at 100 Reveals its secrets
For nearly a century, The New Yorker has been like that cool, enigmatic kid in the corner—impeccably dressed and soft-spoken but always wielding the sharpest pen in the room.
Shih-Ching Tsou’s “Left-Handed Girl” finds poetry in the everyday
Shih-Ching Tsou, long recognized as Sean Baker’s creative partner on films like “Take Out”, “Starlet”, and the iPhone-shot sensation “Tangerine”, takes center stage with her own project, Netflix’s “Left-Handed Girl”.
Joel Edgerton Anchors Netflix’s poetic western in “Train Dreams”
Netflix has a wealth of ambitious originals, but “Train Dreams” brings a unique energy—a subtle, award-season strategy aimed at mature audiences who appreciate patience, restraint, and storytelling that simmers rather than shouts.
Netflix’s “Death by Lightning” is an electrifying political drama that brings history back to life
Screenwriter Mike Makowsky is bringing his talents to Netflix with an adaptation of the 2011 book “Destiny of the Republic: A Tale of Madness, Medicine, and the Murder of a President.”
Netflix’s “Boots” blends military grit with coming of age heart in a 1990s Marine Corps Setting
“Boots” skillfully balances humor and heart without sugarcoating the brutality of the Corps or the personal struggles of the recruits.
Family, nightlife, and noir collide in “Black Rabbit”
At the center of the series are two powerhouse performances: Jude Law as Jake Friedken, a polished restaurateur whose club is about to become the toast of New York, and Jason Bateman as Vince, his estranged brother whose return sets the fuse.
“The Wrong Paris” is a romcom that knows its own joke
Director Janeen Damian’s film “The Wrong Paris”, written by Nicole Henrich, is a romantic comedy that unapologetically embraces clichés, inviting viewers to lean into its vibrant charm…