After exploring the realms of superhero and romantic comedy, Sydney Sweeney, the versatile actress, adds another feather to her cap with the visually stunning and uniquely captivating film ‘Immaculate ‘. Directed by Michael Mohan from a script by Andrew Lobel, the film follows Cecilia (Sweeney), an American nun of unwavering faith, as she embarks on a new chapter in a remote convent nestled in the picturesque Italian countryside. What starts as a warm welcome soon becomes a nightmare, unveiling the sinister secret and unspeakable horrors lurking in her new home.
I first viewed “Immaculate” at the theater on the same day I watched the significantly superior “The First Omen.” Films depicting the offspring of Satan are not groundbreaking, yet it remains puzzling that film studios released these movies in such proximity. “Immaculate” is a film that left me feeling paradoxically torn. On the one hand, it’s hard to deny how Sydney Sweeney’s performance as Cecilia was utterly spellbinding; she guided us through her character’s emotional rollercoaster in a convent dripping with intrigue and shadowy secrets.
From a narrative standpoint and undeniably convenient, the Italian countryside’s compelling backdrop heightens the unsettling atmosphere long after the movie’s conclusion. As we delved deeper into the intricacies of convent life, I oscillated between admiration for the masterful construction of tension and fear and frustration with the narrative’s superficiality. Although it effectively layered dread upon dread, the outcome presented as a hurried cliché.
While ‘Immaculate’ showcases visually stunning moments and skillfully cultivates suspense, its overall substance falls short of its aesthetic appeal. Viewers may be dissatisfied with its tendency to prioritize style over narrative depth. For enthusiasts of atmospheric horror, the film may hold appeal, but the expectation of a gratifying resolution should be tempered.
Final Grade: C-
“Immaculate” is now available to stream on numerous platforms.
Thirty years ago, in 1995, Bad Boy Records was a top-notch record label, but over a decade later, it had begun to lose its luster. While the “Bad Boys II” soundtrack and the debut album from Da Band did numbers, no real superstars were left on the label.
Whether it’s the loss of a celebrity you grew up with or a daily dumb remark from our current commander-in-chief, three months in 2025 are already getting crazy. So, for this week’s Slow Jam Saturday, I decided to change it up and offer something inspirational like Mariah Carey and her 2006 hit “Fly Like A Bird.”
Music video director David Yarovesky brings together Bill Skarsgård and two-time Academy winner Anthony Hopkins for his third feature film, “Locked” from the Avenue. Horror icon Sam Raimi produces the film, while Michael Arlen Ross pens the film’s screenplay.