Megan Fox teams up with director S.K. Dale to bring her feminine wiles to the world of A.I. in “Subservience” from XYZ Films. Will Honley and April Maguire wrote the film’s screenplay. Alice (Fox) is a lifelike, artificially intelligent android who can care for any family and home. Looking for help with the housework, struggling father Nick (Michele Morrone) purchases Alice after his wife Maggie (Madeline Zima) becomes sick. Alice suddenly becomes self-aware and wants everything her new family has to offer, starting with the affection of her owner — and she’ll kill to get it.
Megan Fox’s performance as Alice is solid, embodying a chilling and alluring character while seamlessly hinting at a darker side. The transformation from merely assisting with household tasks to enticing Nick to cope with his stress is significant. She even mimics Maggie’s voice to “ease the situation,” with some rationale for her actions. The direction the narrative takes may be foreseeable, yet it is skillfully handled, particularly with Alice’s determination to “safeguard her primary user” being taken to great lengths.
Sadly, a significant weakness of “Subservience” is its handling of A.I. themes. Instead of delving into the philosophical questions surrounding artificial intelligence and its ties to humanity, the film leans towards sensationalism. Alice’s awakening initiates a series of dramatic occurrences that evoke memories of various other sci-fi thrillers, failing to introduce original viewpoints or creativity. The narrative choices are all too foreseeable; one could easily anticipate the clichés as they unfold: the android’s increasingly unpredictable actions, the husband’s mounting unease, and the predictable confrontation over affection become painfully recognizable.
On a visual level, some moments stand out, featuring sleek and polished cinematography that effectively portrays suburban life. Yet these scenes are eclipsed by a lackluster script reliant on simplistic dialogue and formulaic storytelling. There is an absence of tension and suspense, which severely detracts from what might have been an engaging exploration of how technology influences human relationships.
As seen in the past, Fox is a commendable actress when given suitable material, but “Subservience” wastes her talents and instead relies on clichés.
Final Grade: C-
“Subservience” is available to stream now.
Growing up in the nineties, movies aimed at a melanin audience often featured soundtracks that had to be just as flavorful as the films themselves. This week, for Slow Jam Saturday, I want to take a trip back to 1993 and highlight one of the slow jams from the soundtrack of “Menace II Society”.
Last week marked two significant anniversaries for one of the greatest artists of all time, Mr. Prince Rogers Nelson. It’s only fitting that I show him some love for Second Listen Sunday. The first anniversary was on the 21st, commemorating nine years since his passing. The second anniversary was on the 22nd, celebrating the 40th anniversary of his seventh studio album, “Around the World in a Day.”
One of my most significant decisions late last year was to pledge to Iota Phi Theta Fraternity, Inc. At the time of this writing, I am in Atlantic City for my fraternity’s Regional Conference, where I will represent my chapter, Beta Alpha Omega. In that regard, I believe the perfect song for this week’s Slow Jam Saturday is “The Best Man I Can Be.”