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Derrick Dunn

Slow Jam Saturday: Stevie Wonder, “From the Bottom of My Heart”

For this week’s Slow Jam Saturday, I wanted to give Stevie Wonder his due as he prepares to celebrate the 50th anniversary of his masterpiece, “Songs in the Key of Life,” on tour.  While the easy choice could have been “Knocks Me Off My Feet”—a classic that still resonates fifty years later—I chose “From the Bottom of My Heart,” the second single from his twenty-third studio album, “A Time to Love,” released in 2005.

By 2005, Stevie had already influenced generations of artists, and any younger R&B star would have loved the opportunity to share the microphone with him.  He could have easily called on Beyoncé, Alicia Keys, or another songstress to turn this into a major duet.  Instead, Wonder allows the music and his voice to carry the song.

That was the right choice.  “From the Bottom of My Heart” exemplifies pure, grown-folks R&B. Stevie isn’t chasing radio hits, trying to keep up with the younger generation, or embellishing the song with unnecessary tricks.  He embraces the melody and sings with a sincerity that only comes from someone who deeply understands love beyond the honeymoon phase.

The arrangement is warm and patient, with keyboards, background vocals, and Stevie’s harmonica giving the track room to breathe.  What stood out to me on this revisit was how comfortable he sounds.  There’s no vocal showboating or forced climaxes.  He recognizes where the song needs to go and never pushes it in a direction that doesn’t fit.

That said, the record does run a little long.  At over five minutes, the groove settles in so well that I found myself anticipating a twist that never arrives.  Coming from the man responsible for some of the greatest ballads ever recorded, the song doesn’t quite reach that upper echelon.

But that almost feels beside the point.  Even twenty-one years later, “From the Bottom of My Heart” still resonates because it embodies Stevie Wonder being Stevie Wonder—no gimmicks, no chasing trends, and no guest star needed to validate the moment.

Sometimes a great slow jam requires honesty, melody, and someone who knows how to sing about love.

Final Grade: B+

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