In 1989, R&B singer Christopher Williams, who would play the educated brother from the bank two years later in the Hip Hop classic New Jack City, released his first album, Adventures In Paradise. This week’s Slow Jam Saturday pick is “Promises, Promises” from that album.
For his debut album, Brown’s initial single “Talk To Myself” didn’t gain much traction on the charts. As a result, he opted to pursue a ballad for his next release. Williams collaborated with Timmy Gatling and Alton Stewart on the track and received a writing credit, as the lyrics were inspired by Williams’ then-girlfriend, Stacey Dash.
“Promises, Promises” delves into the emotional turmoil when a relationship fails to meet expectations. Williams’ lyrics are filled with vivid descriptions of the pain, regret, and disappointment that are all too familiar to anyone who has experienced the end of a romance. He poignantly reflects on the promises made in the throes of passion, which now seem hollow and meaningless after heartbreak.
Chris acknowledges that he can no longer rely on his assurances in these relationships, as they are insufficient to provide solace or even basic sustenance. Ultimately, “Promises, Promises” is a powerful tribute to the transient nature of love and the bittersweet understanding that even the most robust connections are not immune to the passage of time.
While I was eight years old when the song came out, I can imagine that many bruthas who found themselves in the dog house after an argument with their lady used this song to return to their good graces. For his next album and most popular one, Brown would move to Uptown Records. Sadly, Music industry politics and his temper would affect Williams’s long-term career, “Promises, Promises” is a testament to his talent.
Final Garde: B+
“Promises, Promises” from Adventures In Paradise is available on all streaming platforms.
For their second single, the group presented a ballad entitled “Feels Like The First Time.” Once again, Greene handles the lyrics, while Neville Hodge is responsible for production duties. Greene begins the song with robust energy, proclaiming his love for the lady. Greene’s group members provide stellar work on the background vocals, and the songs eschew nineties R&B without going into crass vulgarity.
The ballad was composed by Michael Masser and lyricist Gerry Goffin, and it was first recorded by Dionne Warwick in 1981. Eight years later, Natalie Cole covered the song, shortening the title. It became the fourth single from her twelfth album, “Good to Be Back.”
Braxton’s vocal talent is perfect on the standards “Christmas Time Is Here,” “Have Yourself a Merry Little Christmas,” and “The Christmas Song.” However, like any good R&B Christmas album, it is the soulful yuletide bops where Braxton truly shines. The album’s first single, “Snowflakes of Love,” is instrumental of Earl Klugh’s “Now We’re One”. Braxton’s lush vocals encapsulate the warmth and joy of romantic love amidst a wintery backdrop.