As Beyoncé continues to break records and entertain fans with her Cowboy Carter Tour, I wanted to give “Queen B” some recognition for this week’s Slow Jam Saturday. Since she has been in the music industry for nearly three decades, I had many songs to choose from. However, I decided to go back to 2003 and highlight her duet with Bilal, “Everything I Do,” from the soundtrack of “The Fighting Temptations.”
Written and produced by Jimmy Jam & Terry Lewis along with their frequent collaborator Big Jim Wright, “Everything I Do” is a ballad that perfectly blends Beyoncé’s mezzo-soprano with Bilal’s ethereal falsetto. As music fans already know, Jam & Lewis know how to get the best out of artists when it comes to romantic duets.
“Everything I Do” transcends a mere request between individuals; it more closely resembles an exchange of vows. This song encapsulates the mutual commitment of two people promising to be there for one another. They convey their readiness to listen and make sacrifices for their loved ones. In essence, “Everything I Do” exemplifies a profound understanding of love and devotion, highlighting the maturity inherent in such relationships.
The vocal interplay between Beyoncé and Bilal is truly captivating, as each artist infuses their distinct styles into the collaboration, creating a seamless blend. Instead of vying for the spotlight, they complement each other’s sound gracefully. Beyoncé’s tone shines with a polished clarity, exuding confidence and sophistication, while Bilal introduces a rich, gritty texture that evokes the depths of spiritual gospel music.
Although it seems unlikely that we will ever experience this song performed live or witness another collaboration between these two remarkable artists, twenty-two years later, “Everything I Do” remains a hidden gem that continues to resonate. This intimate and soulful dialogue reveals the profound connection between two artistic hearts.
Final Grade: B+
“Everything I Do” is available on all streaming platforms.
My introduction to Nate Dogg goes back to Dr. Dre’s 1992 debut, The Chronic, and the song “Deeez Nuuuts.” Even then, something about Nate’s voice set him apart from everybody else. He wasn’t just singing on rap records. He was bringing soul, gospel, street knowledge, and West Coast cool into the same space. He set the standard for hook singers in hip-hop, and dare I say, he’s still vastly underrated.
For this week’s Slow Jam Saturday, I wanted to give Stevie Wonder his due as he prepares to celebrate the 50th anniversary of his masterpiece, “Songs in the Key of Life,” on tour. While the easy choice could have been “Knocks Me Off My Feet”—a classic that still resonates fifty years later—I chose “From the Bottom of My Heart,” the second single from his twenty-third studio album, “A Time to Love,” released in 2005.
It’s hard to believe that an iconic singing competition like American Idol has produced only two Black male winners in its more than two-and-a-half-decade history. Jamal Roberts made history last year when he won the show, following Ruben Studdard’s well-deserved victory in Season Two.