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Derrick Dunn

Slow Jam Saturday: 98 Degrees, “Invisible Man”

The boy band resurgence of the late nineties was a time.  While the Backstreet Boys and N’Sync were primed to pick up where the New Kids on the Block left off, other groups were also making quality music, including 98 Degrees, whom I chose to highlight for this week’s Slow Jam Saturday.

Signed to Motown, 98 Degrees’ first single was “Invisible Man”.  A ballad written by Dane DeViller, Sean Hosein, and Steve Kpner, it was a heartbreak song, the kind that defies a radio-friendly smile.  It’s a feeling you get from the opening moment of the song. Everything about it sounds naked. 

From those weeping harmonies that swirl like fog around an urban landscape, to Nick Lachey’s lead vocal, there’s a yearning in the performance that you can feel in the bones. The pain of watching the woman you love laugh and flirt with another man, knowing that you’re right there in the room with them – unseen, unacknowledged, yet still laying it all out on the line. That’s R&B, however you want to classify the group.

The production has an organic feel, with live drums, the subtlest of guitar stings, and keys that sound like they could slide right off a dashboard and melt into tears. Nothing about the performance sounds artificially enhanced. It’s smooth soul for the cinema made to sound like pop; the kind of record you imagine Babyface approving in a quiet moment.

There’s no gimmick to “Invisible Man”; its timeless quality comes from how honest it sounds. Every note, every twist of melody exclaims, “I’m not perfect, but baby I love you anyway.” It’s the theme song for every man who’s been hit on by their best friend before it was trendy to be “friend-zoned” and every woman who’s ever come to regret that one too late.

Twenty-nine years later, “Invisible Man” still sounds like a silk ribbon wrapped around a broken heart. The instant when a boy band’s shiny veneer met genuine R&B aching. For my fellow slow-jam junkies, this one’s not just a trip down memory lane. It’s an illustration of how sincerity never ages.

While 98 Degrees would eventually lean more toward pop, their debut single is still a fine slice of late-nineties R&B.

Final Grade: B+

“Invisible Man” is available on all streaming platforms.

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Slow Jam Saturday : Chauncey Black, “Everyday Is Your Birthday”

This week’s Slow Jam Saturday pick takes us back to 2008 to show some love to Chauncey Hannibal, a member of Blackstreet, and his solo track “Everyday Is Your Birthday.” Chauncey’s vocals were featured prominently on the group’s first four albums until he began his solo career in 2005. He initially signed with Flipmode Entertainment, and “Everyday Is Your Birthday” was the first single from his project titled “Church Boy,” although the actual album was never released.

Second Listen Sunday: Brooke Valentine, “Chain Letter”

As my loyal readers know, one of my passions during my Air Force enlistment was being a DJ. Since I was stationed in the UK, it was sometimes hard to keep up with the music scene, as there was no satellite radio, the club scene rarely showcased new music, and I missed out on shows like 106 & Park. Often, I would buy new CDs based solely on their covers and find a way to incorporate the music into my sets, particularly if the artist caught my attention. One such artist was Brooke Valentine, who is this week’s pick for Second Listen Sunday.

Second Listen Sunday : Akon, Konvicted

Since my wife’s favorite solo artist, Ne-Yo, is currently on tour, I decided to show some love to Akon this week for Second Listen Sunday by focusing on his second album, “Konvicted.” I first discovered Akon in the fall of 2004 when I made my DJ debut while stationed in the UK. During my warm-up set, I played “Locked Up,” and one of the bouncers came over, handed me a pound, and said it was about time someone played that song.

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