R&B soul singer returns with his new single “Mr. Midnight” feat. The Colleagues from his forthcoming eighth studio album What A Time To Be In Love. The grown man’s low jam is written by Mr. DeVaughn and features production by 812LABS Media Group and L’indcis. When I heard the track’s opening instrumentation, I didn’t know where the song would go.
Thankfully once the self-proclaimed “Love King” beings to croon his way through the music, I was impressed.
DeVaughn sings lyrics such as, “Let me be your Mr. Midnight. In the midnight hour, Just call me up and I’ll satisfy you ’til tomorrow. Just call me Mr. Midnight, and that’s who I’ll be all your dirty little thoughts and your freaky little fantasies.”
Instead of coming off as crass or corny, DeVaughn is smoother than a fine cognac. The early word is that Raheem will embrace social issues on the project. If DeVaughn’s past work with Washington D.C., emcee Wes Felton on their The Crossrhodes project, I expect some great music.
What A Time To Be In Love is due for release on Friday, November 20th, via the SRG/ILS imprint.
In the meantime, “Mr. Midnight” and “Marvin Used To Say,” which will also appear on the singer’s new album, are available on all streaming platforms.
Final Grade A
From his early days in the family group Wings of Faith, Mr. Gill was born to make music. However, as R&B fans know, Johnny Gill’s initial release with Atlantic Records failed to make a significant impact when it first came out. The 1983 self-titled debut showed a strong voice struggling to adapt to a studio that couldn’t properly utilize its power.
My introduction to Myron was with the song “Sistas” on the “Eddie” soundtrack in the summer of 1996. Before setting up his solo album, Myron would write classics for Mya and Dru Hill. “Destiny” was written by Myron and Tyrice Jones, and the latter was also producing. Set to a sample of Herbie Hancock’s “Come Running to Me”, the song explores how fate governs the formation of connections between people meant to exist from the beginning.
Music producers transitioning to a solo album is common in the music industry. For this week’s Second Listen Sunday, I want to revisit Sean Garrett’s solo debut, “Turbo 919,” released in 2008.
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