Director Antonio Negret transitions from episodic television to his first feature in over a decade with the horror flick “Shaman,” produced by Well Go USA. Daniel Negret authors the screenplay.
The plot centers around Candice (portrayed by Sarah Canning), Joel (portrayed by Daniel Gillies), and Elliot (portrayed by Jett Klyne). This missionary family embarks on a journey to rural Ecuador to convert the indigenous populace.
Initially, their mission proceeds without incident; however, Elliot’s decision to explore a prohibited cave leads to the emergence of a demonic spirit. Candice is convinced that an exorcism conducted according to Catholic traditions will liberate her son from the malevolent influence that ensnares him. Meanwhile, the local shamans recognize that this spirit predates the tenets of her faith and must be addressed directly; failure to do so may result in catastrophic consequences for all involved.
Although I didn’t experience the wave of possession films following “The Exorcist” in the early seventies, I have seen my share of poor entries in the genre during the 21st century. “Shaman’s” script toys with elements of psychological horror, indigenous spirituality, and religious hubris but lands fully in none, like the film’s nonexistent jump scares, as if plunked into post and delivered with an apologetic shrug.
It feels as though director Antonio Negret is navigating a confusing landscape, unsure whether he is channeling the chilling essence of “The Exorcist” or the lurking horror of “The Beast Within” or crafting a generic mid-tier streaming thriller. This indecision results in a muddled tonal blend that struggles to find coherence. The pacing drags, creating a sense of stagnation, while the stakes remain disappointingly low, leading to a final act that stumbles awkwardly toward a climax that fizzles rather than ignites.
Yet, amid this uneven experience, there is a single moment that resonates deeply. A quiet and surprisingly intimate sex scene between Candice and Joel unfolds, unadorned by the superficial gloss and excessive nudity often seen in Hollywood productions. This scene feels genuinely tender and honest—the only segment that truly embodies the weight of human connection.
Any parent who has been on vacation with their children and longed for a precious moment of intimacy with their spouse will undoubtedly find themselves relating to this beautifully rendered moment of authenticity. Sadly, one honest moment does not a film.
“Shaman” wants to say something about belief and power, but only whispers where it should howl, as if the potential for transformation is simmering just beneath the surface, awaiting a powerful release.
Final Grade: C-
“Shaman” will be released in select theaters and on digital platforms on August 8.
