This month marked the 40th anniversary of the renowned cinematic masterpiece “Purple Rain.” While I intend to collaborate with fellow critics in the future on a retrospective project, for this week’s Second Listen Sunday, I plan to honor The Time’s third album, “Ice Cream Castle,” which is notable for featuring two enduringly classic songs that were included in the film as mentioned earlier.
The album’s opening track, bearing the same title as the album itself, is an upbeat and funky composition that establishes the overarching mood of the entire collection. Marked by its infectious rhythm and memorable hooks, this song captivates the listener and conveys the essence of youthful love, freedom, and unity. Notably, the lyrics express a longing for romantic connection and the aspiration for individuals to unite, transcending racial and cultural disparities.
‘Jungle Love,’ the second single from ‘Purple Rain,’ is a performance that remains one of my all-time favorites. The captivating animal noises at the beginning by Morris Day and the bold lyrics that close the song never fail to make me want to dance. The co-writers Prince and Day skillfully weave jungle-related imagery throughout the song, creating a seductive and daring love story.
“Jungle Love’s” impact on ‘Purple Rain’ is undeniable, and its potent attraction between the narrator and their desired partner is a testament to its cultural significance. “The Bird” served as the album’s culminating single. It is an instructive dance composition employing dance as a symbol of liberation, individuality, and the defiance of societal conventions.
Regrettably, the rest of the album falls short. ‘Chill Sauce’ depicts an unfunny, humorous, and flirtatious encounter between Morris and his latest conquest, Sharon, at a restaurant. While the intent is clear, the execution leaves much to be desired. The album could have benefited from more tracks of the same quality as the singles, leaving the listener wanting more.
After the success of ballads like “Girl” and “Gigolos Get Lonely Too,” I expected more from “If the Kid Can’t Make You Come.” It seems that Day hoped to delve into themes of desire, seduction, and sexual prowess. However, the repeated chorus in which Day emphasizes the idea that if he can’t please his partner sexually, then nobody else can come off as corny.
‘Ice Cream Castles’ adheres to the established six-song formula in the band’s previous two albums, reflecting the influence of Jimmy Jam and Terry Lewis in prior projects. While some album tracks may serve as filler, the impact of the singles must be noticed. The Time has successfully evolved its sound, providing a satisfying conclusion to its series of 1980s releases.
Final Grade: B
“Ice Cream Castles” is available on all streaming platforms.
