For this week’s Second Listen Sunday, I wanted to take a trip across the pond and show to Natalie Stewart, aka The Floacist, and her solo debut, “The Floacist presents Floetic Soul.” Stewart had already made a name for herself in Floetry, so when the group split in 2006, she took time to hone her craft before releasing a solo product.
Arriving in stores on November 9th, 2010, “The Floacist presents Floetic Soul” was led by the single “Forever” featuring Musiq Soulchild. A sensual slow jam written by Stewart and produced by J.R. Hutson, “Forever” explores the unwavering and enduring nature of love. The lyrics convey a deep connection between two individuals who have overcome challenges and found solace in each other’s presence. Stewart’s voice perfectly complements Musiq as they sing about unconditional love and support, expressing their willingness to meet any needs or desires their loved one may have.
Huston produced the second single, “Let Me.” In this composition, Stewart articulates a profound yearning for intimacy beyond physical attraction, emphasizing the desire for spiritual and emotional connection. The lyrics illustrate a dynamic of seeking permission, thereby underscoring the significance of mutual consent and respect within interpersonal relationships. The recurrent phrase “If you let me” highlights a sincere aspiration to be integrated into another individual’s life, suggesting that love can function as both an invitation and a transformative journey.
The album’s final single was “Keep It Going” featuring. Raheem DeVaughn. Similar to the first single, the song centers around love, connection, and the continuous growth that comes with a deep emotional bond. Vocally, Stewart and DeVaughn explore the idea of a romantic relationship that transcends the physical and taps into spiritual and mental realms. Throughout the lyrics, a celebration of love evolves and flourishes, suggesting that partners can create a lasting and meaningful union with mutual effort and understanding.
The rest of the album keeps the same signature Floetry sound, but I’d be remiss if I didn’t mention “Come Over” featuring the iconic Lalah Hathaway, pure Slow Jam Bliss. While the album didn’t make a dent on the charts, Stewart quickly showed that she could hold her own outside of the group.
Final Grade: B+
“The Floacist presents Floetic Soul” is available on all streaming platforms.
Martial arts auteur Siyu Cheng delivers his latest action-packed fest in “The Tai Chi Master” from Well Go USA. The Tai Chi Master” examines the journey of Zhang Junbao, a dedicated disciple of Wuji, who emerges as a crucial figure during significant upheaval.
On a musical level, the documentary is a library of Williams’ great works. It’s dramatic performances of his most famous songs, such as the classic “Star Wars” marches, the grand piano music from “Jurassic Park,” and the melancholy music from “Schindler’s List.” Each song is part of a narrative, a call to revisit old films and remember their heart-wrenching connections. Its thrilling finale (which celebrated his work on “Harry Potter”) also underscores the longevity of his music among audiences today.
Megan Fox teams up with director S.K. Dale to bring her feminine wiles to the world of A.I. in “Subservience” from XYZ Films. Will Honley and April Maguire wrote the film’s screenplay. Alice (Fox) is a lifelike, artificially intelligent android who can care for any family and home. Looking for help with the housework, struggling father Nick (Michele Morrone) purchases Alice after his wife Maggie (Madeline Zima) becomes sick. Alice suddenly becomes self-aware and wants everything her new family has to offer, starting with the affection of her owner — and she’ll kill to get it.