The music industry suffered a huge loss when the legendary Quincy Jones gained his wings earlier this month. It’s been a chore to come up with the words I wanted to write about Mr. Jones and his legacy, particularly which album to highlight. After much soul-searching, I took it back to 1981 and revisited his album, “The Dude.”
Released on March 26, 1981, the album features the prominent track “Ai No Corrida,” which immerses listeners in a novel sonic environment characterized by an impactful opening and memorable melodic hooks. This record is a compelling amalgamation of rhythmic nuance and musical appeal, underscored by sophisticated production that showcases Quincy Jones’s exceptional abilities as a producer. It is a significant artistic statement that lays the groundwork for an extraordinary auditory journey.
Notable contributions to the album include Patti Austin, whose powerful vocals are featured in the second singles “Razzamatazz” and “Beerta’ Wouldn’t Hurt Me.” Each of these tracks is marked by a vibrant sound in which Austin’s robust voice skillfully navigates through rhythmic bass lines and intricate horn arrangements. The resulting auditory experience invigorates and profoundly respects the artistry of its production.
However, the album’s preeminent achievement is the track “Just Once,” where James Ingram’s soulful vocals pair with profoundly empathetic lyrics. Combining Ingram’s passionate performance and Jones’s rich production techniques creates a captivating experience. Each lyrical phrase is delivered precisely, and the emotional pauses resonate deeply, exemplifying the potent synergy between exceptional artistry and innovative production.
Ingram also appears in “One Hundred Ways,” where his seamless vocal execution encourages listeners to express affection towards their loved ones while recognizing potential obstacles in such expressions. This song fosters creativity in demonstrating love, emphasizing the necessity of sacrifice and genuine effort in conveying deep appreciation.
Quincy Jones’s intensity is further illustrated in the instrumental piece “Velas.” Integrating funk and pop influences results in an exhilarating and sensual anthem. This track balances lighthearted enjoyment with reflective insight, underscoring Jones’s artistic expertise.
“The Dude” transcends conventional album categorization; it constitutes a rich experience. The seamless progression of each song creates a cohesive narrative that explores themes of love, joy, and the intricacies of human emotion. The production quality is exemplary, reflecting Jones’s meticulous attention to detail. The vibrant and impactful arrangements ensure that each track resonates with listeners.
Final Grade: A
“The Dude” is available on all streaming platforms.
Director Nate Edwards transitions from short films to narrative features with the compelling black love story “She Taught Love,” available on Hulu. Darrell Britt-Gibson, who also occupies the leading role, authored the screenplay.
Director and writer Coralie Fargeat has partnered with the esteemed actress Demi Moore for her second feature film, “The Substance,” which has been released by Mubi.
Prime Video presents a beloved nineties classic with a new adaptation in the eight-episode series “Cruel Intentions.” Developed by Phoebe Fisher and Sara Goodman, the show is based on the 1999 film directed by Roger Kumble, a modern retelling of Pierre Choderlos de Laclos’ 1782 novel “Les Liaisons Dangereuses.”