As many of you know, I had the opportunity to visit Paisley Park earlier this week while vacationing in Minnesota. During the tour, our guide shared that an expanded edition of Prince’s album “Parade” is expected to be released to celebrate its 40th anniversary. After spending the day exploring the Twin Cities, it felt like the perfect excuse to revisit one of the most fascinating and underrated albums in Prince’s legendary catalog.
“Parade” had the challenging task of following iconic albums “Purple Rain” and “Around the World in a Day”. Rather than attempting to replicate another blockbuster, Prince ventured into new creative territory, blending funk, soul, jazz, orchestral pop, psychedelia, and even elements of French cabaret. It is an ambitious record that rewards listeners who are willing to embrace its unpredictability.
Listening to “Parade” after walking the halls of Paisley Park gave me a new appreciation for Prince’s artistic mindset. Long before the studio became synonymous with his creative freedom, the seeds of that independence were already evident in this work. Prince wasn’t interested in repeating himself; he was determined to challenge both himself and his audience, and “Parade” captures an artist completely comfortable with taking risks.
The album’s signature hit, “Kiss,” remains one of the greatest singles of Prince’s career. Built on little more than a hypnotic groove, falsetto vocals, and undeniable swagger, it proves that sometimes less truly is more. “Girls & Boys” is just as infectious today as it was in 1986, while “Anotherloverholenyohead” showcases the explosive chemistry between Prince and The Revolution.
Clare Fischer’s elegant orchestral arrangements add a level of sophistication that distinguishes “Parade” from anything else in Prince’s catalog, giving the album a cinematic quality that perfectly complements its adventurous spirit. Even the quieter moments leave a lasting impression. “Sometimes It Snows in April” remains one of Prince’s most emotionally powerful recordings, with its bittersweet lyrics carrying even greater significance in the years since his passing.
If there’s one criticism, it’s that “Venus de Milo” ends far too soon. The gorgeous instrumental is filled with warmth and beauty, yet its brief runtime leaves you wishing Prince had allowed it to breathe a little longer. However, this is a minor complaint on an album built around bold ideas and fearless experimentation.
While “Under the Cherry Moon” continues to divide audiences, its soundtrack has arguably aged far better than the film itself. Four decades later, “Parade” stands as one of Prince’s most daring artistic statements. It may not be the first album fans reach for, but after revisiting it this week, I’m convinced it remains one of the richest and most rewarding listens in his remarkable discography.
Sometimes all it takes is the right moment—and in my case, a visit to Paisley Park—to hear a classic in an entirely new way.
Final Grade: A-
“Parade” is available on all streaming platforms.
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