Last week marked two significant anniversaries for one of the greatest artists of all time, Mr. Prince Rogers Nelson. It’s only fitting that I show him some love for Second Listen Sunday. The first anniversary was on the 21st, commemorating nine years since his passing. The second anniversary was on the 22nd, celebrating the 40th anniversary of his seventh studio album, “Around the World in a Day.”
The album represents the moment Prince departed from his pop superstar path at full speed and ventured into psychedelic territory without providing any guidance. Hitting stores the year following the groundbreaking “Purple Rain,” Prince delivered something completely unexpected.
Prince didn’t stick with synth-funk anthems or arena rock epics but delivered paisley patterns alongside sitars and flutes with such kaleidoscopic whimsy that it could make Sgt. Pepper blush. The title track opens the album and introduces the listener to a Middle Eastern sound and imaginative storytelling elements. The music sounds like a distorted reflection of pop music through a funhouse mirror while remaining fantastical.
But let’s talk highlights. The song “Paisley Park” is a psychedelic masterpiece reflecting the innocence and echo effects Prince generated while blending Beatles influences with his sensual musical style. The album’s most accessible song is “Raspberry Beret,” which combines colorful pop elements with a sweet melody to express heartbreak. It’s nostalgic, romantic, and flat-out addictive.
Now, “Pop Life”? That’s the lowkey genius cut. Prince delivers his social observations through one of the most exceptional basslines in his music collection. “What you putting’ in your nose? Prince questions where financial resources flow while performing effortlessly in “Pop Life.” A vibe and a warning.
“Condition of the Heart” and “The Ladder” blend spiritual themes with tender expressions and theatrical performances. On this track, Prince explores deeper dimensions of mysticism while reflecting inwardly. He’s not making hits — he’s making statements. The album closes with “Temptation,” a seven-minute funk opera where Prince explores lust and redemption through a dialogue between himself and God. It’s chaotic, hilarious, and brilliant.
Critics were confused. Fans were divided. But now? The album Around the World in a Day demonstrates Prince’s commitment to more than pop stardom because he created entire worlds. This album doesn’t ask to be liked. It asks to be felt. The sound of this musician creates a messy yet beautiful fearless experience where they destroy established rules and celebrate in their aftermath.
Final Grade: B+
“Around the World in a Day” is available on all streaming platforms.
From his early days in the family group Wings of Faith, Mr. Gill was born to make music. However, as R&B fans know, Johnny Gill’s initial release with Atlantic Records failed to make a significant impact when it first came out. The 1983 self-titled debut showed a strong voice struggling to adapt to a studio that couldn’t properly utilize its power.
My introduction to Myron was with the song “Sistas” on the “Eddie” soundtrack in the summer of 1996. Before setting up his solo album, Myron would write classics for Mya and Dru Hill. “Destiny” was written by Myron and Tyrice Jones, and the latter was also producing. Set to a sample of Herbie Hancock’s “Come Running to Me”, the song explores how fate governs the formation of connections between people meant to exist from the beginning.
Music producers transitioning to a solo album is common in the music industry. For this week’s Second Listen Sunday, I want to revisit Sean Garrett’s solo debut, “Turbo 919,” released in 2008.