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Second Listen Sunday : Peabo Bryson, Straight From The Heart

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Derrick Dunn

R&B balladeer Peabo Bryson was eight years into his career when his tenth album, Straight from the Heart, stores on May 15th, 1984. Bryson had already carved a successful niche as a solo artist and a duet partner for R&B songstresses. Bryson had previously recorded successful duet albums with Natalie Cole and Roberta Flack.

For this album, Bryson switched labels to Elektra. Bryson took a leading role in the album’s production, contributing his songwriting and keyboard-playing expertise. He wrote five of the eight songs on the album, showcasing his creative abilities and dedication to the project.

Naturally, for the first single, Bryson released a ballad with “If Ever You’re in My Arms Again.” Bryson took a back seat from the writing, deciding to croon the lyrics of Tom Snow, Cynthia Weil, and Micheal Masser (who also produced the song). Arguably one of Bryson’s signature songs, Bryon croons lyrics about the better man he will become if he gets his lady back.

“Slow Dancin” was the album’s second single, allowing Bryson to show off his writing skills. While I didn’t get my first slow dance until about the third grade, I’ve always understood the significance of a slow dance. Slow dancing deepens connections and amplifies emotions between two individuals, demonstrating pure affection and romance. Bryson easily creates this mood.

Throughout Straight from the Heart, Bryson effortlessly switches between romantic ballads and groovy R&B tracks, proving his versatility as an artist. Tracks like “I Get Nervous” showcase his ability to create catchy, upbeat songs that make you want to get up and move. One of the most remarkable tracks on the album is “There’s No Getting Over You.” The soulful performance by Bryson and the haunting instrumentation perfectly convey the anguish of a lost love.

Bryson’s vocal range is evident in nearly every song on the album. He effortlessly hits high notes and brings depth and emotion to every song he sings. His ability to convey vulnerability and strength in his vocals sets him apart from other artists in the genre.

Straight from the Heart is a solid album highlighting Peabo Bryson’s incredible talent as a singer and songwriter. With its mix of soulful ballads and groovy R&B tracks, it is an album that fans of various musical styles can enjoy. 

Final Grade: B+

Straight from the Heart is available on all streaming platforms.

 

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Slow Jam Saturday : Dwele, “Weekend Love”

For this weekend’s Slow Jam Saturday, I wanted to take a trip to Motor City and show some love to soul singer Dwele. It was 2005, and I was living in the UK as part of my Air Force enlistment. Dwele had just released his second album, “Some Kinda,” enjoying some chart success with the lead single “I Think I Love U,” by Mike City.

Second Listen Sunday : The Four Tops, “Magic”

The remainder of the album maintains a classic R&B vibe, showcasing the group’s signature sound. One of the standout tracks is “Maybe Tomorrow,” featuring the iconic Phyllis Hyman. It transforms difficult circumstances into positive outcomes—essentially making lemonade from lemons.

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Picture of Derrick Dunn

Derrick Dunn

Second Listen Sunday : Peabo Bryson, Straight From The Heart

R&B balladeer Peabo Bryson was eight years into his career when his tenth album, Straight from the Heart, stores on May 15th, 1984. Bryson had already carved a successful niche as a solo artist and a duet partner for R&B songstresses. Bryson had previously recorded successful duet albums with Natalie Cole and Roberta Flack.

For this album, Bryson switched labels to Elektra. Bryson took a leading role in the album’s production, contributing his songwriting and keyboard-playing expertise. He wrote five of the eight songs on the album, showcasing his creative abilities and dedication to the project.

Naturally, for the first single, Bryson released a ballad with “If Ever You’re in My Arms Again.” Bryson took a back seat from the writing, deciding to croon the lyrics of Tom Snow, Cynthia Weil, and Micheal Masser (who also produced the song). Arguably one of Bryson’s signature songs, Bryon croons lyrics about the better man he will become if he gets his lady back.

“Slow Dancin” was the album’s second single, allowing Bryson to show off his writing skills. While I didn’t get my first slow dance until about the third grade, I’ve always understood the significance of a slow dance. Slow dancing deepens connections and amplifies emotions between two individuals, demonstrating pure affection and romance. Bryson easily creates this mood.

Throughout Straight from the Heart, Bryson effortlessly switches between romantic ballads and groovy R&B tracks, proving his versatility as an artist. Tracks like “I Get Nervous” showcase his ability to create catchy, upbeat songs that make you want to get up and move. One of the most remarkable tracks on the album is “There’s No Getting Over You.” The soulful performance by Bryson and the haunting instrumentation perfectly convey the anguish of a lost love.

Bryson’s vocal range is evident in nearly every song on the album. He effortlessly hits high notes and brings depth and emotion to every song he sings. His ability to convey vulnerability and strength in his vocals sets him apart from other artists in the genre.

Straight from the Heart is a solid album highlighting Peabo Bryson’s incredible talent as a singer and songwriter. With its mix of soulful ballads and groovy R&B tracks, it is an album that fans of various musical styles can enjoy. 

Final Grade: B+

Straight from the Heart is available on all streaming platforms.

 

Movie Clappers

More reviews to explorer

Slow Jam Saturday : Dwele, “Weekend Love”

For this weekend’s Slow Jam Saturday, I wanted to take a trip to Motor City and show some love to soul singer Dwele. It was 2005, and I was living in the UK as part of my Air Force enlistment. Dwele had just released his second album, “Some Kinda,” enjoying some chart success with the lead single “I Think I Love U,” by Mike City.

Second Listen Sunday : The Four Tops, “Magic”

The remainder of the album maintains a classic R&B vibe, showcasing the group’s signature sound. One of the standout tracks is “Maybe Tomorrow,” featuring the iconic Phyllis Hyman. It transforms difficult circumstances into positive outcomes—essentially making lemonade from lemons.

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