Industry giant Clive Davis shook numerous heads when he announced his new label J Records after he was ousted from Arista Records in 2000. While J eventually signed heavyweight artists like Luther Vandross, Jamie Foxx, and Monica, who all earned multi-platinum plaques with the label. And, of course, there was a little minx named Alicia Keys, whose debut sold twelve million records.
While J Records had superstars, a few artists weren’t so lucky. R&B songstress Oliva was the first artist signed to the label and left the label on bad terms, while The Project G&B debut album never saw the light of day. And then we have this week’s artist for Second Listen Sunday, Jimmy Cozier.
Jimmy Cozier was a Brooklyn-born singer/songwriter eager to stand out in a world of modern R&B music. His self-titled debut CD shows his talents as he expertly meanders through the realm of cell phones, cold-and-lonely nights, and troubled women. His impressive vocal range is particularly displayed on “Time Stands Still,” where his singing rises confidently against the backdrop of subtle instrumentals. Locating those tracks on which his vocals are uncluttered by too many distractions reveals the originality and strength behind him: imagine the energizing sound found within “Two Steps,” featuring background vocals from Wyclef Jean. Jimmy Cozier brings both skill and spirit to R&B.
In “No More Playing Games,” Cozier easily demonstrates his vocal abilities. Cozier and label mate Alicia Keys successfully collaborate on an enjoyable duet, “Mr. Man.” Would Cozier have been better off with a selection of primarily vocal-driven songs? The issue is that many of the up-tempo tracks have a similar sound and have no replay value aside from the lead single, “She’s All I Got.”
Furthermore, the only ballad featured is a message song, so it would have been good to hear him singing a slow jam. Unfortunately, the promotion for this album was not strong enough, which damaged its success. Despite this, Cozier has a pleasant voice – it’s hard to say how things could have gone without more support from A-list producers and artists.
Final Grade: B-
Jimmy Cozier is available on all streaming platforms
From his early days in the family group Wings of Faith, Mr. Gill was born to make music. However, as R&B fans know, Johnny Gill’s initial release with Atlantic Records failed to make a significant impact when it first came out. The 1983 self-titled debut showed a strong voice struggling to adapt to a studio that couldn’t properly utilize its power.
My introduction to Myron was with the song “Sistas” on the “Eddie” soundtrack in the summer of 1996. Before setting up his solo album, Myron would write classics for Mya and Dru Hill. “Destiny” was written by Myron and Tyrice Jones, and the latter was also producing. Set to a sample of Herbie Hancock’s “Come Running to Me”, the song explores how fate governs the formation of connections between people meant to exist from the beginning.
Music producers transitioning to a solo album is common in the music industry. For this week’s Second Listen Sunday, I want to revisit Sean Garrett’s solo debut, “Turbo 919,” released in 2008.