It’s sometimes hard to believe that in the spring of 2004, EGOT winner Jennifer Hudson was eliminated from “American Idol,” yet she would become an Oscar winner almost three years later. For this week’s Second Listen Sunday, I wanted to travel back to 2008 and highlight her self-titled debut album.
Arriving in stores on September 30, 2008, Hudson’s label CEO, Mr. Clive Davis, enlisted notable names such as R. City, Missy Elliott, Brian Kennedy, Ne-Yo, Salaam Remi, T-Pain, Tank, Timbaland, and The Underdogs to ensure that every avenue of urban music was represented. The first single, “Spotlight,” featured Hudson reuniting with Ne-Yo, with whom she had recently collaborated on “Leaving Tonight” from his second album.
“Spotlight” was co-produced by Stargate, and in numerous interviews, Ne-Yo mentioned it was tough to find the right lane for Hudson, as she has such a broad voice. The groove in the spotlight is midtempo and sets the tone for Hudson’s voice to convey a sense of vulnerability as she reflects on her relationship, hinting at feelings of being overshadowed by her partner’s insecurities. The metaphor of the ‘spotlight’ serves as a powerful symbol throughout the song, representing the intense scrutiny and pressure she feels.
“If This Isn’t Love” was a joint production and writing venture from R. City, Brian Kennedy, and Harvey Mason Jr. Here, Hudson explores the intense emotions and deep connection experienced in a romantic relationship. When she expresses her desire to communicate her love to her partner and acknowledges that he is everything she has ever wanted, we feel the emotion. Hudson believes he is an angel sent to her by God and describes him as perfect.
“Giving Myself” was the album’s final single, written and produced by Robin Thicke. A pop-soul ballad in the vein of Ms. Whitney Houston, “Giving Myself” is a heartfelt expression of surrendering oneself to love and embracing vulnerability. Thicke’s lyrics portray a sense of self-discovery and the liberation that comes from allowing someone to see and love the truest version of oneself.
The rest of the album features textbook R&B of the time, but even Hudson’s safe production elements are complemented by her voice being in top form. While Hudson’s self-titled debut didn’t become a diamond-selling smash, it was another factor in setting the stage for the prominent career she’s in the midst of now.
Final Grade: B
“Jennifer Hudson” is available on all streaming platforms.
This week’s Second Listen Sunday pick takes us back to 2006 to revisit “So Amazin’,” the third album from Christina Milian. Arriving in stores on April 19 of that year, the project was produced largely by Cool & Dre, sans one song, and saw the singer earn writing credits on nine of the album’s songs.
For this week’s Slow Jam Saturday, I want to showcase love for Rahsaan Patterson and his album track “Can We Wait a Minute” from his self-titled debut album, released in 1997.
For this week’s Second Listen Sunday, I wanted to take a trip back to 2000 and show some love to the R&B duo K-Ci & JoJo and their third album, “X,” which was released in stores on December 5, just in time for a holiday stocking stuffer. Arguably, the group suffered from the sophomore slump with their second album, as only two singles were successful.