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Derrick Dunn

Second Listen Sunday: Jennifer Hudson, Jennifer Hudson

It’s sometimes hard to believe that in the spring of 2004, EGOT winner Jennifer Hudson was eliminated from “American Idol,” yet she would become an Oscar winner almost three years later. For this week’s Second Listen Sunday, I wanted to travel back to 2008 and highlight her self-titled debut album.

Arriving in stores on September 30, 2008, Hudson’s label CEO, Mr. Clive Davis, enlisted notable names such as R. City, Missy Elliott, Brian Kennedy, Ne-Yo, Salaam Remi, T-Pain, Tank, Timbaland, and The Underdogs to ensure that every avenue of urban music was represented. The first single, “Spotlight,” featured Hudson reuniting with Ne-Yo, with whom she had recently collaborated on “Leaving Tonight” from his second album.

“Spotlight” was co-produced by Stargate, and in numerous interviews, Ne-Yo mentioned it was tough to find the right lane for Hudson, as she has such a broad voice. The groove in the spotlight is midtempo and sets the tone for Hudson’s voice to convey a sense of vulnerability as she reflects on her relationship, hinting at feelings of being overshadowed by her partner’s insecurities. The metaphor of the ‘spotlight’ serves as a powerful symbol throughout the song, representing the intense scrutiny and pressure she feels.

“If This Isn’t Love” was a joint production and writing venture from R. City, Brian Kennedy, and Harvey Mason Jr. Here, Hudson explores the intense emotions and deep connection experienced in a romantic relationship. When she expresses her desire to communicate her love to her partner and acknowledges that he is everything she has ever wanted, we feel the emotion. Hudson believes he is an angel sent to her by God and describes him as perfect.

“Giving Myself” was the album’s final single, written and produced by Robin Thicke. A pop-soul ballad in the vein of Ms. Whitney Houston, “Giving Myself” is a heartfelt expression of surrendering oneself to love and embracing vulnerability. Thicke’s lyrics portray a sense of self-discovery and the liberation that comes from allowing someone to see and love the truest version of oneself.

The rest of the album features textbook R&B of the time, but even Hudson’s safe production elements are complemented by her voice being in top form. While Hudson’s self-titled debut didn’t become a diamond-selling smash, it was another factor in setting the stage for the prominent career she’s in the midst of now.

Final Grade: B

“Jennifer Hudson” is available on all streaming platforms.

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Slow Jam Saturday : Chauncey Black, “Everyday Is Your Birthday”

This week’s Slow Jam Saturday pick takes us back to 2008 to show some love to Chauncey Hannibal, a member of Blackstreet, and his solo track “Everyday Is Your Birthday.” Chauncey’s vocals were featured prominently on the group’s first four albums until he began his solo career in 2005. He initially signed with Flipmode Entertainment, and “Everyday Is Your Birthday” was the first single from his project titled “Church Boy,” although the actual album was never released.

Second Listen Sunday: Brooke Valentine, “Chain Letter”

As my loyal readers know, one of my passions during my Air Force enlistment was being a DJ. Since I was stationed in the UK, it was sometimes hard to keep up with the music scene, as there was no satellite radio, the club scene rarely showcased new music, and I missed out on shows like 106 & Park. Often, I would buy new CDs based solely on their covers and find a way to incorporate the music into my sets, particularly if the artist caught my attention. One such artist was Brooke Valentine, who is this week’s pick for Second Listen Sunday.

Second Listen Sunday : Akon, Konvicted

Since my wife’s favorite solo artist, Ne-Yo, is currently on tour, I decided to show some love to Akon this week for Second Listen Sunday by focusing on his second album, “Konvicted.” I first discovered Akon in the fall of 2004 when I made my DJ debut while stationed in the UK. During my warm-up set, I played “Locked Up,” and one of the bouncers came over, handed me a pound, and said it was about time someone played that song.

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