As Hip Hop began to establish itself as a dominant force in the mid-2000s, every label had an R&B singer on board to deliver hooks. For this week’s Second Listen Sunday, I want to highlight one of those artists, Governor, who was initially signed to T.I.’s Grand Hustle Records.
Governor, known initially as PK, grew up in Charles City County, Virginia. Like many singers, he began his career in a group and released an indie debut. In 2002, he began working with the likes of the Trackmasters and a pre-fame 50 Cent. Although he never officially released any music during that time, he eventually met Wyclef Jean, who helped him sign with Atlantic Records, where T.I. took notice of him.
Governor first added his vocals to the song “Hello,” which appeared on T.I.’s fourth album, “King,” in the spring of 2006. He then released his album in the fall of 2006, titled “Son of Pain.” The album was led by the single “Blood, Sweat & Tears,” produced by Poke & Tone and featuring a sample of “Singing This Song For My Mother” by Hamilton Bohannon. The track carries a powerful message about the Governor’s struggles.
For the second single, “You Got The Power,” Governor collaborated with T.I. and was produced by Just Blaze, featuring a sample of Phil Collins’ classic “Easy Lover.” The album boasts contributions from heavy-hitter producers, including Scott Storch (“Destiny”), Raphael Saadiq (“Never Wanna Leave”), Jerry “Wonda” Duplessis, Wyclef Jean (“Make Love to You”), and a pre-Breakfast Club Charlamagne.
As a fan of ballads and slow jams, I remember not enjoying this album upon its release due to its lack of romantic tracks. At that time, I was deployed and seeking escapism, not message-driven music. However, on my second listen, I came to appreciate Governor’s political and social themes in contrast to typical R&B bravado.
He shines on the singles and album tracks, such as “I Can’t,” “Slow Down,” and “Forgive Me.” Regretfully, much of the rest of the album felt somewhat formulaic, despite his immense talent. Considering T.I.’s business acumen, it’s surprising he didn’t shop Governor to a label that would better align with his vocal style.
Nevertheless, this was a solid sophomore project that ultimately got lost in the shuffle of mid-2000s R&B.
Final Grade: B
“Son of Pain” is available on all streaming platforms.
My introduction to Nate Dogg goes back to Dr. Dre’s 1992 debut, The Chronic, and the song “Deeez Nuuuts.” Even then, something about Nate’s voice set him apart from everybody else. He wasn’t just singing on rap records. He was bringing soul, gospel, street knowledge, and West Coast cool into the same space. He set the standard for hook singers in hip-hop, and dare I say, he’s still vastly underrated.
For this week’s Slow Jam Saturday, I wanted to give Stevie Wonder his due as he prepares to celebrate the 50th anniversary of his masterpiece, “Songs in the Key of Life,” on tour. While the easy choice could have been “Knocks Me Off My Feet”—a classic that still resonates fifty years later—I chose “From the Bottom of My Heart,” the second single from his twenty-third studio album, “A Time to Love,” released in 2005.
It’s hard to believe that an iconic singing competition like American Idol has produced only two Black male winners in its more than two-and-a-half-decade history. Jamal Roberts made history last year when he won the show, following Ruben Studdard’s well-deserved victory in Season Two.