Director Steven LaMorte takes advantage of copyright expiring for an iconic character in his latest film, “Screamboat” from Sleight of Hands Productions. LaMorte pens the screenplay with Matthew Garcia-Dunn. Opening with a traditional slasher film kill, “Screamboat” introduces us to Selena (Allison Pittel), a tour guide from the Gopher state who has moved to the Big Apple to chase her fashion designer dreams.
On her latest tour assignment, Selena is surrounded by spoiled party girls who resemble Disney princesses and are having a terrible time. However, she unexpectedly meets her “Prince Charming” in the form of deckhand Pete (played by Jesse Posey) and her fairy godmother, the on-duty EMT named Amber (portrayed by Amy Schumacher). Little does Selena know that this late-night ferry ride in the city that never sleeps is about to become an unforgettable experience, thanks to Steamboat Wille (David Howard Thornton)—a mischievous and murderous mouse who is small, mean and loves to cut a rug(you’ll understand the pun once you see the film).
When one thinks about the original intent behind “Grimm’s Fairy Tales” and the route that Walt Disney would later take when adapting them for general audiences, it’s not surprising that once Steamboat Willie went into the public domain, someone would make a horror film centered on the character. Steven LaMorte and his co-writer go balls to the walls with the easter eggs and references.
As the film explores Steamboat Willie’s backstory, it humorously reveals that he “was pure and kind before mankind’s neglect and the death of his friend Walt left him corrupted and homicidal.” This bold narrative choice invites a mix of laughter and disbelief. Fresh off his chilling performance as Art the Clown, David Howard Thornton steps into the role of Willie, crafting another unforgettable horror villain.
Thornton’s commitment shines through in every scene, whether orchestrating a gruesome kill, dancing with unsettling glee, or displaying unhinged frustration. In stark contrast, the rest of the cast falters in delivering memorable performances. Given the limited budget, I didn’t expect the sharp dialogue typically associated with masters like John Carpenter or Kevin Williamson; however, the portrayal by the Disney princess falls flat, and the accents of the supporting cast are painfully clichéd and unconvincing.
Since, this is a slasher film, and the real draw lies in the grim spectacle of watching various characters—commuters, dockhands, and other passengers—meet their grisly fates amid the chaos. The film balances gore with an absurd sense of humor, making it a fun ride you will love or loathe.
Nevertheless, the creative team behind “Screamboat” knew what kind of film they were making. The post-credit scene does hint at a sequel, so it wouldn’t surprise me if we get a sequel with Willie on a cruise ship in 2026.
Final Grade: C
Aldis Hodge is back on the case as Alex Cross for Season 2 of Prime Video’s “Cross”. Ben Watkins returns as showrunner, with directors including Stacy Muhammad and Craig Siebels.
Civil War dramas often measure valor through cannon fire and cavalry charges. However, “The Gray House*“valuates valor through coded messages, calculated risks, and the steady nerves of women who understood that information could be deadlier than any rifle. This eight-episode limited series reframes the conflict not from the battlefield, but from the drawing rooms of Richmond, where loyalty is performed, and survival depends on silence.
It’s been a month since I finished my first run at Sundance, and I’m finally getting the chance to see some of the films I missed as they began to premiere. One of those films is “In the Blink of an Eye,” which is available on Hulu. The film is directed by Andrew Stanton and written by Colby Day.