After years of working behind the scenes and directing shorts, writer and director Daniel André makes his debut with the dramedy “Running On Empty” from Lionsgate. In the not-too-distant future, we meet Mortimer (Keir Gilchrist), a young man with a unique perspective on life, navigating the ups and downs of a lukewarm existence in California’s San Fernando Valley. His engagement to the stunning Nicole (Francesca Eastwood) and his work at his uncle Barry’s (Jim Gaffigan) mortuary service are just the beginning of his story as he grapples with the complexities of family dynamics.
During their wedding preparations, Francesca and Mort visit a service that predicts your death date. While Francesca’s results are promising, Mort’s life takes a drastic turn when he learns that he has only a year left to live. This revelation sparks a profound transformation in Mort as he embarks on a spirited journey to find meaning in his life and unexpectedly finds love in the form of Kate (Lucy Hale).
“Running on Empty” is a film that could have gone one of two ways, but thankfully, director Daniel André has a commendable lead in the form of Keir Gilchrist, who first caught my attention in another dramedy, “It’s Kind of a Funny Story,” and of course, the supernatural horror hit “It Follows.” Gilchrist fully taps into the quirkiness the character requires but is never portrayed as a man who lacks self-confidence. Additionally, Gilchrist gets a chance to somewhat tap into the stages of grief with the script easily avoiding preachiness.
The supporting cast is solid, but the film truly shines in the organic development of the romance between Mort and Lucy Hale’s character. From their initial meeting to the blossoming of their relationship, Daniel André handles it with a natural grace that is both heartwarming and engaging. Jim Gaffigan’s comedic timing adds a delightful touch, and Francesca Eastwood’s performance is a pleasant surprise, showcasing her versatility.
For the most part, I enjoyed the film. However, it’s not without its faults. The decision to begin the movie with the bookend trope didn’t sit right with me. Additionally, The subplot of Mort trying to avoid a pimp doesn’t work and almost feels like it belongs in another film. Furthermore, the talented Jay Pharaoh is prominently featured on the poster but has a very thankless role, as his character has little depth or impact on the story. Nevertheless, as a one-time watch, I recommend the film.
Final Grade: B
“Running On Empty” will open in select theaters on August 9 and be released on VOD nationwide in the US/Canada on August 27
Martial arts auteur Siyu Cheng delivers his latest action-packed fest in “The Tai Chi Master” from Well Go USA. The Tai Chi Master” examines the journey of Zhang Junbao, a dedicated disciple of Wuji, who emerges as a crucial figure during significant upheaval.
On a musical level, the documentary is a library of Williams’ great works. It’s dramatic performances of his most famous songs, such as the classic “Star Wars” marches, the grand piano music from “Jurassic Park,” and the melancholy music from “Schindler’s List.” Each song is part of a narrative, a call to revisit old films and remember their heart-wrenching connections. Its thrilling finale (which celebrated his work on “Harry Potter”) also underscores the longevity of his music among audiences today.
Megan Fox teams up with director S.K. Dale to bring her feminine wiles to the world of A.I. in “Subservience” from XYZ Films. Will Honley and April Maguire wrote the film’s screenplay. Alice (Fox) is a lifelike, artificially intelligent android who can care for any family and home. Looking for help with the housework, struggling father Nick (Michele Morrone) purchases Alice after his wife Maggie (Madeline Zima) becomes sick. Alice suddenly becomes self-aware and wants everything her new family has to offer, starting with the affection of her owner — and she’ll kill to get it.