K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
Ray Parker Jr. and Raydio were amidst a successful career when album number four, A Woman Need Love, hit stores in 1981. The album’s first single “is “A Woman Needs Love (Just Like You Do.) The song was written as a counterpoint to the group’s previous hit, “Jack and Jill.” That song was is written from “Jack’s” viewpoint of being neglected, just as “A Woman Needs Love” is written from “Jill’s” perspective, as the lyrics indicate: “by the time poor Jack returned up the hill, someone else had been loving Jill.”
“It’s Your Night” takes things to the dance floor and gives the band a chance to show off their instrumentation skills. “That Old Song” is a fan favorite that talks about a former love that anyone can relate to when you think about an ex before finding the right one. “All in the Way You Get Down” finds the group dabbling in a sound popularized by Heatwave and Rod Temperton. Honestly, hearing this song would feel right at home on Michael Jackson’s Off The Wall.
“You Can’t Fight What You Feel” and “Old Pro” are both solid album tracks, while “Still in the Groove,” a follow-up to the instrumental funk hit “For Those Who Like to Groove,” should gratify fans looking for a good time. The album closes out with the sappy ballad “So Into You.” As we all know, Parker would go onto a successful solo career, so maybe his heart wasn’t entirely in this project. Nevertheless, A Woman Need Love features enough likable material to close out the group’s brief four-album catalog.
Final Grade: B-
A Woman Need Love is available on all streaming platforms.
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.