Family entertainment takes a step back from director Scott Vandiver and writer April Smallwood in R.A.D.A.R.: THE ADVENTURES OF THE BIONIC DOG from Lionsgate. Gabe (Ezra James Lerario) and Kylie (Caroline Abrams) embark on a treasure hunt to find a pirate’s lost treasure, which Gabe’s mother used to tell him stories about. They aim to attract more tourists to their quiet town and help Gabe’s mom’s diner. Along the way, they come across a blue sapphire and meet R.A.D.A.R., a brilliant robot dog.
However, Dr. Van Hook (Paul Wilson), the scientist who created the bionic dog, intends to take him back and steal the town’s famous gem, and two recently escaped convicts aid him. Can Gabe and Kylie safeguard their new robotic furry friend, protect the gem, and save their town from the goons?
There’s nothing wrong with family movies. Generally, I try not to give movies a bad rap that I’m not in a demographic of. However, nothing is above feedback, and when the criticism is due will provide it. As a passionate moviegoer, I entered the theater with cheerful anticipation, ready to be entertained by the superhero antics of Radar the Bionic Dog. However, disappointment befell me like a leaden rain cloud as the film failed to deliver on the most basic levels of storytelling, character development, and visual effects.
First and foremost, the plot could be smoother. Instead of a coherent narrative, the movie is a patchwork of poorly sewn-together scenes, needing a central thread to tie them together. The writing is unimaginative, relying heavily on hackneyed clichés, trite dialogue, and predictable scenarios that have been overused in countless films before.
The characters in Radar the Bionic Dog are as thin as a dog’s shadow, with no depth or compelling arcs to engage viewers. The protagonist, Radar, is an emotionless hunk of metal, void of any personality or charm. There is no investment in his journey or relationship with the humans around him; the interactions feel forced and devoid of authenticity.
The cast’s performances were lackluster, possibly due to the uninspired script. They were collecting a paycheck instead of investing in their roles. Radar, the Bionic Dog, looks unrealistic due to poor CGI. The action sequences lack engagement.
The film also suffers from pacing issues that drive the already tedious experience even more excruciating. Scenes are either too long or too short, resulting in a jumbled rhythm that further frustrates and disengages the viewer. It becomes clear that the editors and director needed to learn how to effectively tell the story, leaving the audience grappling with disjointed fragments.
Radar the Bionic Dog is a poorly made family film with a mundane plot, weak characters, unimpressive acting, bad CGI, and terrible execution.
Final Grade: D+
Radar, the Bionic Dog, is available to rent on Amazon.
Seth Rogen continues his successful relationship with Apple TV in his latest comedic series, “The Studio.” Rogen and his longtime collaborator, Evan Goldberg, direct all ten episodes and write three. Peter Huyck, Alex Gregory, and Frida Perez write the remaining episodes.
Director Geremy Jasper attempts to modernize the rock opera genre in his sophomore film, “O’Dessa,” available on Hulu. Jasper also pens the film’s screenplay. Rising actress Sadie Sink portrays the titular character, a farm girl searching to recover a cherished family heirloom. She travels to a strange and dangerous city, where she meets her one true love, Euri Dervish (Kelvin Harrison Jr.). To save his soul, she must put the power of destiny to the ultimate test.
Academy Award nominee Peter Craig collaborates with fellow nominee Ridley Scott to adapt Dennis Tafoya’s novel Dope Thief for television. Airing on Apple TV, this eight-episode series stars Oscar nominee Brian Tyree Henry in the lead role and also features Wagner Moura, Marin Ireland, Kate Mulgrew, Nesta Cooper, Amir Arison, and Ving Rhames.