K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
Prince had validated his legacy as that DUDE numerous times by the time his instrumental album N-E-W-S hit the NPG club on May 26th, 2003, before arriving in stores on July 29th, 2003. N-E-W-S was Prince’s twenty-seventh studio album and his second instrumental album. N-E-W-S was an acronym for North, East, West, and South. Never one to pigeonhole himself, N-E-W-S finds Prince dabbling heavily into jazz fusion.
Containing only four tracks that run fourteen minutes each, N-E-W-S is a very eccentric offering. I remember purchasing the album at the age of twenty-two, but I didn’t fully grasp the instrumentation. I would revisit the album again three years later, during my first deployment in the United States Air Force, as a coping mechanism. At the age of 41 and with everything going on with the Tyre Nichols video, I decided to play the album again to bring positive energy into my life.
Since there’s no actual singing on the record, the best way to describe this album is mood music. I’ve heard that the intent behind N-E-W-S was a jam session, and that’s the vibe I got. With “North,” I got a vibe of funk. “East” gave off cinematic vibes. “West” starts a bit as a ballad before going back into the funk, and the closing number, “South,” puts me in the mindset of wanting to 2 Step.
N-E-W-S isn’t for all tastes, but You will enjoy this project from Prince the musician and his band a lot more if you avoid expectations and simply take in the joy of hearing them play.
Final Grade: B
N-E-W-S is available on all streaming platforms.
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.