
“The Phoenician Scheme” is strictly for die hard “Wes Fandersons”
Wes Anderson has long been the cinematic equivalent of an eccentric watchmaker. Every frame was precisely engineered, every movement perfectly timed…
Before Season 2 of the hit Netflix series, The Witcher arrives this winter; fans have a new animated film to hold them over in The Witcher: Nightmare of The Wolf. Before Geralt, his mentor Vesemir was a swashbuckling young witcher who escaped a life of poverty to slay monsters for coin. However, when a strange new monster begins terrorizing a politically fraught kingdom, Vesemir finds himself on a frightening adventure that forces him to confront the demons of his past.
Kwang-II Han directs The Witcher: Nightmare of The Wolf from a script by Beau de Mayo and based on characters created by Andrzej Sapkowski. The one downside to Netflix is that there is so much content. It is a job in itself to try to watch all of their series. That said, I never found the time to check out the Henry Cavil starring series. I know that the show takes place on a fictional, medieval-inspired landmass known as “the Continent,” and witchers protect us monsters.
Theo James voices our lead character Vesemir who was a mentor to the character than Henry Cavill plays. James brings an arrogant alpha male swag to the character. Hell, within the first fifteen minutes of the show, after kicking some monster ass, Vesemir’s selfish nature comes to light. Naturally, noble-born witch Tetra (Lara Pulver) sees this as an opportunity to rid the world of Witchers.
I do not want to go into much more detail than that, though, as I want the franchise fans to enjoy the spin-off prequel with no spoilers. However, I will point out the animation is glorious, the action is bloody good, and the voice work is solid.
An already popular franchise comprised of books, video games, and a television series; The Witcher’s latest edition will please both fans and non-fans of the property.
Final Grade: B
The Witcher: Nightmare of The Wolf is available to stream on Netflix Monday, August 23rd.
Wes Anderson has long been the cinematic equivalent of an eccentric watchmaker. Every frame was precisely engineered, every movement perfectly timed…
Warwick Thornton’s The New Boy is a haunting, evocative tale of spiritual collision and colonial imposition set in the unforgiving Australian outback during the early 1940s. Told entirely from the perspective of a young Aboriginal boy (brilliantly portrayed by newcomer Aswan Reid), the film is a quiet yet powerful exploration of Indigenous spirituality clashing with rigid Christian dogma—one that lingers with audiences long after the final frame.
Directors Danny and Michael Philippou reunite with A24 for their follow-up to the 2022 hit “Talk to Me” with “Bring Her Back.” As he did with the previous film, Danny also co-wrote the script with Bill Hinzman. Andy (Billy Barratt) and his vision-impaired stepsister Piper (Sora Wong) are thick as thieves who have to come together after their father’s suicide.
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