The King of Pop receives his flowers in MJ Live, The Michael Jackson Tribute Concert. Previously in Residency at the Stratosphere Theater in Las Vegas, the show moves to The Tropicana in February 2022. My wife and I recently made our first trip to Las Vegas and had the chance to see one of the final performances of the show at the Stratosphere.
Under the direction of Dick Feeny and working hand in hand with choreographer Missy Cochran and music director Gene Sironen, Jalles France assumes the role of legendary Michael Jackson. France is clearly in his element as MJ and is a seasoned performer. From MJ’s signature dance moves to his well-known quirks, it is evident that France did his homework.
The show opens up with “Wanna Be Starting Something” and proceeds to take the audience on a journey throughout Jackson’s career. All of your favorite hits from Jackson’s solo albums Off The Wall, Thriller, Bad and Dangerous make their way into the setlist. During performances of “Beat It,” “Billie Jean,” “Bad,” “Smooth Criminal,” “Jam,” and “Remember The Time,” the audience was just a room full of positive energy.
While my wife and I had a blast at the show, I have some minor gripes. Wanting to keep the energy going, the ballads in the show are scarce, sans performances of “She’s Outta My Life” and “I’ll Be There”. I am a massive fan of the work Jackson did with Stevie Wonder, as well as Gamble and Huff, so I would have loved to hear even just a snippet of “I Can’t Help It” or “Good Times,” but I can understand the omission of the show. In addition, The Jackson 5 tribute portion of the show, with the faux afro wigs, came off a bit corny. Thankfully, though, during that brief tribute, the choreography is pristine, particularly during “The Love You Save.”
Nevertheless, you cannot deny the infectious groove of MJ’s catalog during MJ Live, The Michael Jackson Tribute Concert. While I never had the chance to see the real MJ live during his time with us, his Vegas tribute show was a substantial stand-in.
Final Grade: B+
MJ Live will kick off performances at Tropicana Las Vegas starting Feb. 7, 2022, with shows nightly (dark Tuesdays) at 5:30 p.m. (doors open at 4:30 p.m.).
You know the voice. The moment Michael Marshall starts singing the hook in Luniz’s “I Got 5 on It,” anyone who grew up in the nineties knows exactly what time it is. However, nearly a decade before that 1995 hip-hop classic, Marshall was already responsible for another instantly recognizable vocal.
There are some albums you revisit because of nostalgia, and then there are albums you return to because they remind you just how high the standard used to be. Anita Baker’s Rapture falls into that second category. Released in 1986, the album did more than make Baker a star. It helped define what sophisticated, grown R&B could sound like without losing any soul, sensuality, or personality.
Gwen Stefani had already established herself as a significant force with No Doubt when she released her debut solo album, *Love. Angel. Music. Baby* in 2004. This week, while my iPod was on shuffle, one of my favorite songs from that project, “The Real Thing,” came on. Although the original version has an upbeat new-wave feel, the Slow Jam Mix takes it to another level and is the perfect choice for this week’s Slow Jam Saturday.