Growing up as a teen in the nineties, one of the highlights of Friday morning was talking on the school bus about what you watched on TV the night before. The crowd I hung out with usually discussed Fox’s Thursday-night line-up of Martin, Living Single, and New York Undercover.
When discussing New York Undercover, we would usually talk about the musical artist who made an appearance on the show performing at the club’s fictitious hangout spot, Natalie’s. The performances were so popular that an official soundtrack was released. New York Undercover: A Night At Natalie’s hit stores on January 13th, 1998. The show was in its fourth season, but the Hip Hop edge that carried the first three seasons was gone.
Nevertheless, it was great to finally have some of the show’s musical performances on disc. The soundtrack featured cover songs from R&B heavyweights such as Teena Marie, Gerald Levert, 112, and Mary J. Blige. However, one of the most surprising contributions to the album arrives courtesy of one of the show’s stars.
Michael DeLorenzo, who had the role of Detective Eddie Torres for the first three seasons, covered James Taylor’s 1972 hit “Don’t Let Me Be Lonely Tonight.” DeLorenzo was no stranger to musical talent, having displaying his dancing ability in the forgotten dance flick Fast Forward and Michael Jackson’s “Beat it” Video.
Looking back on the show’s vibe and after reading Michael’s name on the back of the disc, I thought he would cover The Isley Brothers’ version of the song. Instead, DeLorenzo stays closer to Taylor’s original vibe. DeLorenzo’s tenor comes across as natural in the music as he croons the lyrics:
“Do me wrong, do me right
Tell me lies, but hold me tight
Save your good-byes for the morning light
But don’t let me be lonely tonight.”
DeLorenzo clearly loves music, and the song is not a vanity project. While his cover of Don’t Let Me Be Lonely Tonight “isn’t the best track on the album by any means, it did introduce audiences to another one of the actor’s talents and set the stage for his debut album, which would be released in 2009.
Final Grade: B+
For their second single, the group presented a ballad entitled “Feels Like The First Time.” Once again, Greene handles the lyrics, while Neville Hodge is responsible for production duties. Greene begins the song with robust energy, proclaiming his love for the lady. Greene’s group members provide stellar work on the background vocals, and the songs eschew nineties R&B without going into crass vulgarity.
The ballad was composed by Michael Masser and lyricist Gerry Goffin, and it was first recorded by Dionne Warwick in 1981. Eight years later, Natalie Cole covered the song, shortening the title. It became the fourth single from her twelfth album, “Good to Be Back.”
Braxton’s vocal talent is perfect on the standards “Christmas Time Is Here,” “Have Yourself a Merry Little Christmas,” and “The Christmas Song.” However, like any good R&B Christmas album, it is the soulful yuletide bops where Braxton truly shines. The album’s first single, “Snowflakes of Love,” is instrumental of Earl Klugh’s “Now We’re One”. Braxton’s lush vocals encapsulate the warmth and joy of romantic love amidst a wintery backdrop.