K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
Mark Middleton broke into the music industry as a member of Blackstreet, joining the group in 1996 for their sophomore album, Another Level. Middleton’s vocals were prevalent on the massive single “Don’t Leave” and a personal favorite, “Never Gonna Let You Go.”
Middleton would exit the group after this album to try his hand at a solo career. Singing with Quincy Jones Qwest Records, Middleton had plans to release his album My Turn – My Time in the spring of 2001.
Sadly the album was shelved, but one of the songs, “I Do,” appeared in the 2001 film, The Brothers. The song plays during the climactic wedding scene of Clifton Powell and Jennifer Lewis’s characters. Through lush production, Middleton conveys his appreciation for his lover in “I Do.”
In the song, Middleton asserts that his love for him is unconditional and expresses his appreciation for the love he has been given. There is no limit to where his passion can take him, and he promises never to leave the other person behind. The way they fell in love is something that Middleton cannot explain. Nevertheless, it is a love that was always meant to be.
Undoubtedly, he shares their love for each other, is committed to them, and assures them that he will always be there for them. At the song’s end, as a way to affirm his love and commitment to his rib, he concludes by saying, “I do… I love you.”.
Sadly “I Do” is unavailable on streaming platforms. However, you can find the song on YouTube.
Final Grade: A
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.