
“The Phoenician Scheme” is strictly for die hard “Wes Fandersons”
Wes Anderson has long been the cinematic equivalent of an eccentric watchmaker. Every frame was precisely engineered, every movement perfectly timed…
Actress Katie Aselton returns to feature directing after nearly a decade away in Mack & Rita from Gravitas Premiere. When 30-year-old self-proclaimed homebody Mack Martin (Elizabeth Lail) reluctantly joins a Palm Springs bachelorette trip for her best friend Carla (Taylour Paige), her inner 70-year-old is released literally. The frustrated writer and influencer magically transform into her future self: “Aunt Rita” (Diane Keaton).
Freed from the constraints of other people’s expectations, Rita comes into her own, becoming an unlikely social media sensation, and sparks a tentative romance with Mack’s adorable dog-sitter, Jack (Dustin Milligan). Mack & Rita celebrates being true to yourself at any age in this sparkling comedy with a magical twist.
When I was a child, one of my favorite film plot lines was the age swap premise. We all remember the Jodie Foster classic Freaky Friday, and who can forget the late 1980s mini-cycle of age-swap / body-swap pictures? Those movies included Like Father Like Son (1987), Big (1988), 18 Again! (1988), Vice Versa (1988), and Dream a Little Dream (1989).
Upon first glance at the cast, one would think the writers Madeline Walter and Paul Welsh would possibly try and make a race relations comedy headlined by Lail and Paige, but thankfully they avoid this route and allow the always enjoyable Keaton to shine. The script for Mack & Rita avoids the typical cliches of age-swap comedies for the most part. There are plenty of moments where a joke about senior citizen discounts or “in my day” could’ve worked, but this never happens. For the most part, I took from the film to enjoy your youth, but when you get older, continue to be young at heart. The film only runs about ninety-five minutes, so no one else in the cast has an arc outside of our leading lady.
This decision was a shame, as I always enjoy seeing Taylor Paige on screen and wish she had more to do. It seems that the secondary story that focuses on a budding romance with a character portrayer portrayed by Dustin Mulligan is meant to fill this void. Additionally, there are some enjoyable scenes with the always pleasant Loretta Devine and Wendie Malick.
While I doubt that Mack & Rita will have the same staying power as Big, fans of Diane Keaton should enjoy the film.
Final Grade: C
Mack & Rita is in theaters now
Wes Anderson has long been the cinematic equivalent of an eccentric watchmaker. Every frame was precisely engineered, every movement perfectly timed…
Warwick Thornton’s The New Boy is a haunting, evocative tale of spiritual collision and colonial imposition set in the unforgiving Australian outback during the early 1940s. Told entirely from the perspective of a young Aboriginal boy (brilliantly portrayed by newcomer Aswan Reid), the film is a quiet yet powerful exploration of Indigenous spirituality clashing with rigid Christian dogma—one that lingers with audiences long after the final frame.
Directors Danny and Michael Philippou reunite with A24 for their follow-up to the 2022 hit “Talk to Me” with “Bring Her Back.” As he did with the previous film, Danny also co-wrote the script with Bill Hinzman. Andy (Billy Barratt) and his vision-impaired stepsister Piper (Sora Wong) are thick as thieves who have to come together after their father’s suicide.