K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
Over a decade-long career, crossover jazz artist Kim Waters had built a comfortable, quiet storm and R&B covers niche when his thirteenth album From the Heart hit stores on April 10, 2011.
Waters’s saxophone skills had paid tribute to Boyz II Men, Maxwell, and Anita Baker on his previous albums. However, for From the Heart, Waters took it back to the seventies with an elegant cover of The Spinners’ hit “Love Don’t Love Nobody.” While Waters’s musicianship alone could have done the song justice, the sax man brought in Jazz from Dru Hill for the vocals.
Arguably, the best singer in the Baltimore-based group, Jazz never tries to imitate Phillipe Wynn, the song’s original singer. Instead, Jazz makes the song his own and allows the listener to feel his emotions as he croons:
“Sometimes a girl will come and go
You reach for love, but life won’t let ya know
That in the end, you’ll still be lovin’ her
But then she’s gone, you’re all alone”.
Waters and Jazz’s chemistry comes across so natural if Jazz ever had the chance to have his solo career, I would have loved to see Waters as his musical director on tour. My only complaint about the song is that we do not get a chance to hear the song’s spoken word.
Final Grade: A
“Love Don’t Love Nobody” from From the Heart is available on all streaming platforms.
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.