R&B lover man Keith Sweat already had an impressive three-album discography to his credit when he released his fourth album Get Up On It in June of 994. The lead single was the up-tempo “How Do You Like It”, which featured Lisa “Left Eye” Lopes of TLC. While I can understand where R&B was at the time, it actually made sense for the lead single to be an up-tempo number.
However, after his breakthrough first album, Keith’s strong point for me are in his ballads and slow jams. Thus, the second single from Get Up On It titled “When I Give My Love” still ranks high in my personal playlist of Keith Sweat slow jams. Sweat wrote and produced the song with Fitzgerald Scott and Joe Jefferson. The song starts with an intro that slowly creeps up on the listener before beginning with the chorus and then transitioning into the first verse.
From the moment Sweat croons the first verse “Hush, my baby, baby, don’t say a word, I got so much love for you, girl, haven’t you heard. Now I’m on a mission, girl, my intuition says you should be mine, I should be yours”, you know you have a classic on your hands. The album version of the song clocks in at over six minutes, yet Sweat never over sings the song or becomes repetitive with his delivery of the lyrics.
I also enjoyed the video for the song as it pays homage to the seventies classic film Cooley High. I have had the pleasure of seeing Keith Sweat live in concert twice, and even own his live DVD, Keith Sweat, The Sweat Hotel Live. However, much to my dismay, I have never heard the song live, nor is there a remix for it.
Nevertheless, “When I Give My Love” is as forgotten gem in Keith’s already impressive catalog.
Final Grade: A
Get Up On It is available on all streaming platforms
For their second single, the group presented a ballad entitled “Feels Like The First Time.” Once again, Greene handles the lyrics, while Neville Hodge is responsible for production duties. Greene begins the song with robust energy, proclaiming his love for the lady. Greene’s group members provide stellar work on the background vocals, and the songs eschew nineties R&B without going into crass vulgarity.
The ballad was composed by Michael Masser and lyricist Gerry Goffin, and it was first recorded by Dionne Warwick in 1981. Eight years later, Natalie Cole covered the song, shortening the title. It became the fourth single from her twelfth album, “Good to Be Back.”
Braxton’s vocal talent is perfect on the standards “Christmas Time Is Here,” “Have Yourself a Merry Little Christmas,” and “The Christmas Song.” However, like any good R&B Christmas album, it is the soulful yuletide bops where Braxton truly shines. The album’s first single, “Snowflakes of Love,” is instrumental of Earl Klugh’s “Now We’re One”. Braxton’s lush vocals encapsulate the warmth and joy of romantic love amidst a wintery backdrop.
Reviews And Dunn is a unique blog showcasing all things cinema, music & theater.