K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
Welcome to the first edition of a possible new weekly series I like to call Slow Jam Saturday. Anyone who knows me will attest to the fact that I prefer ballads and slow jams to any up-tempo material. Therefore, my new series will highlight my favorite slow jams and ballads from my favorite artists. One of my favorite singers, Jon B., returns to The Birchmere Music Hall in Alexandria Hall on August 29th. Therefore, I chose to highlight some of Jon’s solo work and songs he has written for other artists as the first artist for Slow Jam Saturday.
Jon B. hit the scene in 1995 with the release of his debut single; the Babyface assisted “Someone To Love,” which also appeared on the soundtrack to Bad Boys. On May 23rd, 1995, Bonafide arrived in stores and was supported by the singles “Pretty Girl” and the final single “Isn’t It Scary,” which serves as my first pick for Slow Jam Saturday.
“Isn’t It Scary” is the tenth song on Jon’s debut and serves as a Mr. Steal Your Girl anthem. With its lush harmony and pristine vocals, “Isn’t It Scary” was a secret weapon in my single days. Nevertheless though, in 2021, someone will try to look at the lyrics for some internet clout in an attempt to cancel Jon. However, we as grown men know that if you are not handling your business in every avenue when it comes to your woman, someone else will.
“Isn’t It Scary” is also the perfect transition into the sensual track that follows “Burning 4 You.” Twenty-six years later, the song still holds up for me with its messages and is always a highlight whenever I see Jon live. For my DMV readers, I highly encourage you to check out Jon B. later this month when he performs. Tickets are available for purchase at The Venue’s Box Office and Ticketmaster.com.
Final Grade: A
Bonafide is available on all streaming platforms
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.