K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
Johnathan Butler was a decade into his career when his self-titled album arrived in stores in 1987. Listeners may recall his hit singles “Lies” and “Overflowing” from that album. However, I wanted to highlight the project’s second track, “Love Songs, Candlelight & You,” for this week’s Slow Jam Saturday.
Butler’s music frequently carries the description of R&B, jazz fusion, or worship music, but with “Love Songs, Candlelight & You,” the South African-born singer-songwriter and guitarist, elegantly solidifies intimacy. Butler opens the track with lush instrumentation and smooth cooing before kicking off the first verse.
“In the middle of the night, the doorbell rings
My baby’s come to call
She wants to make love, and I don’t mind at all
No, baby
‘Cause nobody loves me the way she does
She’s got that special touch
It’s just too much, the way she makes me climb the walls
Ooh, baby”.
Butler then glides through the pre-chorus before giving us the chorus.
“So, give me some love songs, candlelight and you
It’s the perfect situation
Love songs, ooh, candlelight makes dreams come true
And all I wanna do is be with you”.
“Love Songs, Candlelight & You” was one of the many songs I discovered in my mid-twenties while deployed to the Middle East. At the time, Al B. Sure was hosting the romantically themed nighttime music program, The Secret Garden. Sure’s radio show was on the programs broadcast through internet radio. Thirty-five years later, the song still holds up as Butler creates a vibe of sensuality while avoiding vulgarity.
Final Grade: A
“Love Songs, Candlelight & You” from Johnathan Butler is available on all streaming platforms.
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.