The 2022 Danish film “Speak No Evil” gets an Americanized adaptation by Universal Pictures and Blumhouse, with James Watkins serving as both the writer and director of the production.
The Dalton family, comprising Ben (Scoot McNairy), Louise (Mackenzie Davis), and their daughter Agnes (Alix West Lefle), are American expatriates who have recently relocated to the United Kingdom. During a vacation, they encounter a charming British family, including Paddy (James McAvoy), his wife Ciara (Aisling Franciosi), and their non-speaking son Ant (Dan Hough).
Despite Louise’s initial reservations, the Daltons decide to spend a weekend at the charming country estate owned by the British family they befriended. Little do they know, this seemingly idyllic holiday is about to take a thrilling turn, transforming into a convoluted psychological ordeal. As a fan of the original and its bleak ending, I must admit there was an eye roll when I found out the film was being remade so soon.
The performances in “Speak No Evil” are compelling, expertly balancing charm with discomfort as both families are portrayed. James McAvoy delivers a chillingly unhinged performance as Paddit, supported effectively by Aisling Franciosi. Mackenzie Davis and Scoot McNairy bring an unsettling authenticity to their roles, adeptly conveying the complexities of their characters’ relationships. As the dynamics evolve throughout the film, it artfully captures the escalating dissonance through nuanced storytelling. The young actors portraying the children also deliver commendable performances that steer clear of any bratty stereotypes.
Director James Watkins showcases exceptional skill in cultivating a persistent sense of dread throughout the narrative. The cinematography effectively enhances this theme, presenting stark contrasts between the idyllic British countryside and the darker undertones inherent in character interactions. The pacing is meticulously crafted; it builds tension as events unfold, culminating in a gripping climax that prompts audiences to reconsider notions of civility and ethical compromises encountered amid discomfort.
Another compelling aspect of “Speak No Evil” lies within its commentary on societal expectations and often implicit rules regarding politeness. The film provocatively interrogates passive behavior, fear of confrontation, and ramifications arising from silence when faced with wrongdoing. As characters navigate increasingly troubling scenarios, viewers are invited to engage in introspection regarding personal values and boundaries surrounding empathy.
For the most part, I enjoyed the film; however, the film wasn’t without hiccups. The characterization of Ben overdoes the BETA male trope, which will garner some laughs from audiences. In addition, the usual mistakes in a horror film that happens will get on the nerves of even the most casual of viewers. Some may also find issues with the film’s slow-burn approach.
Nevertheless, the remake of “Speak No Evil” won me over with its powerful performances, skillful direction, and gripping third act.
Final Grade: B
“Speak No Evil” opens in theaters tomorrow.
Martial arts auteur Siyu Cheng delivers his latest action-packed fest in “The Tai Chi Master” from Well Go USA. The Tai Chi Master” examines the journey of Zhang Junbao, a dedicated disciple of Wuji, who emerges as a crucial figure during significant upheaval.
On a musical level, the documentary is a library of Williams’ great works. It’s dramatic performances of his most famous songs, such as the classic “Star Wars” marches, the grand piano music from “Jurassic Park,” and the melancholy music from “Schindler’s List.” Each song is part of a narrative, a call to revisit old films and remember their heart-wrenching connections. Its thrilling finale (which celebrated his work on “Harry Potter”) also underscores the longevity of his music among audiences today.
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