R&B songstress Gina Thompson is most remembered for her 1996 debut single “Nobody Does It Better” and the Bad Boy Remix featuring Missy Elliott, who gained notability and mainstream attention for her unique signature, “Hee-Hee-How” punchline.
While that song kills some catalogs, I wanted to give Gina props for this week’s Slow Jam Saturday for her cover of Anita Baker’s “Angel.” Gina’s version is the fifth track on her debut album.
I’ve always felt that “Angel” is a song that celebrates the strength, tenderness, and security we find in our partners. Similar to Anita, Gina expresses admiration for her love and willingness to do whatever it takes to keep the relationship strong. The lyrics convey that their passion is heaven-sent, filling them with joy and protecting them when times get tough. In the end, the vocals assure their partner that they are unique to them.
Shout out to Rodney Jerkins, whose production allowed Gina to make the song her own.
Final Grade: B
“Angel” from Nobody Does It Better is available on all streaming platforms.
There are some albums you revisit because of nostalgia, and then there are albums you return to because they remind you just how high the standard used to be. Anita Baker’s Rapture falls into that second category. Released in 1986, the album did more than make Baker a star. It helped define what sophisticated, grown R&B could sound like without losing any soul, sensuality, or personality.
Gwen Stefani had already established herself as a significant force with No Doubt when she released her debut solo album, *Love. Angel. Music. Baby* in 2004. This week, while my iPod was on shuffle, one of my favorite songs from that project, “The Real Thing,” came on. Although the original version has an upbeat new-wave feel, the Slow Jam Mix takes it to another level and is the perfect choice for this week’s Slow Jam Saturday.
Unless you’re a music purist, mentioning Randy Jackson from the famous family is likely to elicit a joke. However, any serious Jackson fan knows that Randy had musical achievements long before the punchlines. Before he was old enough to buy a drink, he had already co-written “Shake Your Body (Down to the Ground)” and “Lovely One” with Michael Jackson.