Jackson, DeBarge, and Sylver are just a few of the names that come to mind when you think of families in R&B music. Today is Father’s Day, so I wanted to highlight a legendary father and son duo for Second Listen Sunday. Arriving in stores on Sept 26, 1995, Father and Son was the first full-length collaboration between the late great Gerald LeVert and his dad Eddie LeVert. The two had many successful collaborations in the past, most notably “Baby Hold On To Me” from Gerald’s 1991 solo debut. Thus a full-length album had to happen at some point.
“Already Missing You” was the album’s first single. Gerald wrote the song with his longtime associate Tony Nicholas. The song is about the emotions that arise when someone leaves or dies. The lyrics express the pain and longing that comes with such a loss and how hard it is to let go and forget. The song effectively delves into the profound emotions of grief, underscoring the significance of cherished recollections and the affection between two former lovers. “Already Missing You” is a heartfelt homage to a profoundly and dearly cherished individual.
Gerald and Eddie continued to tug at the heartstrings for the second single, a cover of “Wind Beneath My Wings.” Initially written in 1982, the song has seen versions by legendary artists such as Gladys Knight & the Pips, Lou Rawls, and most famously, Bette Milder for the movie Beaches.
The LeVert men put their spin on the song, with Gerald passionately singing about his admiration for his dad. The senior LeVert sings about how proud he is of his son forging his career in the music industry. At 42, the song hits a bit deeper for me as it reminds me of my grandfather, who went to his eternal resting place in 2016.
Father and Son hit us with a slow jam for the final single: “Get You Thing Off.” The LeVert men were known for their ways with the ladies; this song is no different. The message I always get from the song is that two men know how to satisfy a woman in the bedroom and are not afraid to acknowledge it.
The rest of the album is typical nineties R&B, which is fine. A real highlight is the cover version of The O’Jays You Got Your Hooks in Me” featuring Walter Williams. Overall this is a fine addition to both men’s catalogs. The special bond between father and son and their mutual love and respect for each other is evident throughout the album.
Final Grade: B+
Father and Son by Gerald and Eddie LeVert is available on all streaming platforms.
From his early days in the family group Wings of Faith, Mr. Gill was born to make music. However, as R&B fans know, Johnny Gill’s initial release with Atlantic Records failed to make a significant impact when it first came out. The 1983 self-titled debut showed a strong voice struggling to adapt to a studio that couldn’t properly utilize its power.
My introduction to Myron was with the song “Sistas” on the “Eddie” soundtrack in the summer of 1996. Before setting up his solo album, Myron would write classics for Mya and Dru Hill. “Destiny” was written by Myron and Tyrice Jones, and the latter was also producing. Set to a sample of Herbie Hancock’s “Come Running to Me”, the song explores how fate governs the formation of connections between people meant to exist from the beginning.
Music producers transitioning to a solo album is common in the music industry. For this week’s Second Listen Sunday, I want to revisit Sean Garrett’s solo debut, “Turbo 919,” released in 2008.