In addition to offering scene-stealing moments in the first two House Party films, Hip Hop and R&B group Full Force made a name for themselves as in-demand producers. Initially, the group crafted tracks for artists such as UTFO, Doctor Ice, Samantha Fox, Patti LaBelle, The Force M.D.s, and of course, Lisa Lisa & Cult Jam. Those records would lead to the group working with icon artists Bob Dylan, Patti LaBelle, and James Brown. When the resurgence of teen pop arrived in the late nineties, Britney Spears, Backstreet Boys, and ‘N Sync were all blessed with the Full Force magic.
Full Force has ten albums in their discography, and I wanted to give them some flowers for this week’s Slow Jam Saturday. Naturally, I could’ve gone with “All In My Mind,” one of the group’s biggest hits from 1987’s Guess Who’s Comin’ to the Crib? Instead, I chose “Your Place Or Mine” from the group’s sixth album, 1992’s Don’t Sleep.
The group switched labels for this album and primarily handled the production once again. The song starts with a little bit of a jazzy vibe before a transition into that signature nineties R&B sound. The group vocals stay within their natural register, and the lyrics are relatable.
Ideally, the song is about a man who has been dating a lady for a while. He’s ready to take the relationship to the next level as long as she’s ready for that type of physical intimacy. Credit to the group for crafting a mature song that sets the mood that acknowledges it’s always a woman’s choice.
Although the music was quality as a group, Full Force never had the same success they did when producing for other artists. Nevertheless, “Your Place Or Mine” is one of many impressive slow jams in their catalog.
Final Grade: B+
“Your Place Or Mine” from Don’t Sleep is available on all streaming platforms.
For their second single, the group presented a ballad entitled “Feels Like The First Time.” Once again, Greene handles the lyrics, while Neville Hodge is responsible for production duties. Greene begins the song with robust energy, proclaiming his love for the lady. Greene’s group members provide stellar work on the background vocals, and the songs eschew nineties R&B without going into crass vulgarity.
The ballad was composed by Michael Masser and lyricist Gerry Goffin, and it was first recorded by Dionne Warwick in 1981. Eight years later, Natalie Cole covered the song, shortening the title. It became the fourth single from her twelfth album, “Good to Be Back.”
Braxton’s vocal talent is perfect on the standards “Christmas Time Is Here,” “Have Yourself a Merry Little Christmas,” and “The Christmas Song.” However, like any good R&B Christmas album, it is the soulful yuletide bops where Braxton truly shines. The album’s first single, “Snowflakes of Love,” is instrumental of Earl Klugh’s “Now We’re One”. Braxton’s lush vocals encapsulate the warmth and joy of romantic love amidst a wintery backdrop.