Keith Thomas returns to the horror genre for his second feature as a director in Firestarter from Blumhouse and Universal Pictures.
A reboot of the same-titled 1984 film and the second adaption of Stephen King’s eighth novel, the film tells the story of parents Andy (Zac Efron) & Vicky (Sydney Lemmon) and their daughter Charlie (Ryan Kiera).
Over the last decade, the family has been on the run from a shadowy federal agency that wants to harness Charlie’s remarkable gift for creating fire into a weapon of mass destruction. Andy has taught Charlie how to defuse her power triggered by anger or pain. However, when Charlie turns 11, the fire becomes harder and harder to control. After an incident reveals the family’s location, a mysterious operative (Michael Greyeyes) is deployed to hunt down the family and seize Charlie finally, but Charlie has other plans.
I have not seen the original Firestarter in almost three decades, nor did I read the book. Therefore, in hindsight, I went into the reboot with a blind eye. The film starts decently enough with Zac Efron fully committing to the material. The former teen heartthrob has come into his own, as an actor, and seeing him portray a father is the next progression for his career.
Sadly, Efron’s natural chemistry cannot elevate the film above Scott Teems’ weak screenplay. Upon exiting the theater after watching the movie, it seemed like something was lost in the editing and the final product that ended up on the screen was not the vision that director Keith Thomas nor the writer had in mind. The pacing in the film appears off, and no one has an idea where to take the final product. One of the most upsetting things about the film is the exceptionally reliable Michael Greyeyes is a waste in his role.
Despite a cool climax where Charlie gets to shine and an eerily impressive score by John Carpenter, there is not too much in the film audiences will remember.
Final Grade: C-
Firestarter is in theaters now and is available to stream on Peacock
Director Potsy Ponciroli shifts gears for his third feature in “Motor City,” produced by IFC Films. Chad St. John penned the film’s screenplay, which was actually on the 2009 Black List and spent several years in development hell before finally getting underway.
San Francisco in film is often depicted through sweeping views of the Golden Gate Bridge or romanticized, foggy hills. However, “Splash City” from Lionsgate brings the focus down to street level. Co-directed by Alex Ferrufino and Gilbert Anthony Milam Jr. (better known as rapper and entrepreneur Berner), this R-rated crime drama moves away from postcard aesthetics to present a sharp, urgent portrayal of survival on the streets.
Writer-director Lee Cronin made an impressive feature film debut in 2019 with “The Hole in the Ground” and followed it up with a fresh and gruesome installment in the “Evil Dead” franchise, “Evil Dead Rise”. However, due to adult responsibilities, I missed his third film in theaters. The mixed reviews and rumors of a troubled production have me concerned.