Keith Thomas returns to the horror genre for his second feature as a director in Firestarter from Blumhouse and Universal Pictures.
A reboot of the same-titled 1984 film and the second adaption of Stephen King’s eighth novel, the film tells the story of parents Andy (Zac Efron) & Vicky (Sydney Lemmon) and their daughter Charlie (Ryan Kiera).
Over the last decade, the family has been on the run from a shadowy federal agency that wants to harness Charlie’s remarkable gift for creating fire into a weapon of mass destruction. Andy has taught Charlie how to defuse her power triggered by anger or pain. However, when Charlie turns 11, the fire becomes harder and harder to control. After an incident reveals the family’s location, a mysterious operative (Michael Greyeyes) is deployed to hunt down the family and seize Charlie finally, but Charlie has other plans.
I have not seen the original Firestarter in almost three decades, nor did I read the book. Therefore, in hindsight, I went into the reboot with a blind eye. The film starts decently enough with Zac Efron fully committing to the material. The former teen heartthrob has come into his own, as an actor, and seeing him portray a father is the next progression for his career.
Sadly, Efron’s natural chemistry cannot elevate the film above Scott Teems’ weak screenplay. Upon exiting the theater after watching the movie, it seemed like something was lost in the editing and the final product that ended up on the screen was not the vision that director Keith Thomas nor the writer had in mind. The pacing in the film appears off, and no one has an idea where to take the final product. One of the most upsetting things about the film is the exceptionally reliable Michael Greyeyes is a waste in his role.
Despite a cool climax where Charlie gets to shine and an eerily impressive score by John Carpenter, there is not too much in the film audiences will remember.
Final Grade: C-
Firestarter is in theaters now and is available to stream on Peacock
After an eight-year hiatus, cult director Eli Craig returns to the horror-comedy genre with his latest film, “Clown in a Cornfield,” from RLJE Films.
First-time director Felipe Vargas explores the consequences of forgetting one’s roots in the chilling horror film “Rosario,” produced by Highland Film Group and Muchio Mass Media. Alan Trezza wrote the screenplay, which begins with our titular character, a Mexican immigrant, receiving her first communion. After a spooky incident involving her eerie grandmother, it becomes evident that Rosario is destined to move on when she grows older.
Director Duncan Skiles taps into the buddy pic genre for his feature debut in “Neighborhood Watch” from RJLE Films. Simon (Jack Quaid) is a young man grappling with mental illness who becomes convinced that he has witnessed an abduction. When he reports it to the police, and they refuse to believe him, he reluctantly seeks the help of his neighbor Ed (Jeffrey Dean Morgan), a jaded, retired security guard with a troubled past. As the unlikely duo delves deeper into the mystery, their pursuit of the truth forces them to confront the disappearance’s dark secrets and the unspoken wounds that haunt them.