K-Quick Talks: Opening for Legends, Building Legacy, and Staying Rooted in the DMV
January 5, 2026
Kicking off my first interview is DMV based rapper K-Quick
I went back and forth about what song to pick for the final Slow Jam Saturday of 2022. Initially, I thought of collaborating with my guys Thomas Leo and Kyle Ng from YouKnowIGotSOul.com or big bruv Edward Browser from Soul In Stereo. In the end, though, the answer was evident when I looked back at the foolishness, heartbreak, and accomplishments of 2022 and what I want to carry into 2023.
I decided to go with “Pure Gold” from the elements known as Earth, Wind, and Fire. Initially appearing on the group’s nineteenth album Illumination, “Pure Gold” was produced by the legendary Jimmy Jam & Terry Lewis. Co-writing the song with Jam & Lewis were The Avilla Brothers and Tony Tolbert.
The legend Philip Bailey leads the song and elegantly sings about living your life with substance and not focusing on keeping up with the joneses or becoming the center of attention. In addition, “Pure Gold” has a strong message of self-worth, and true love is conveyed through the lyrics. Throughout the song, EWF encourages and reiterates to the listener that nothing is more valuable than true love and self-worth.
A message of peace and strength is conveyed in the song that urges its audience to take some time to find their inner strength and light. This theme is to choose a path of truth and light over worldly desires. As a result, love, above all other possessions, is the only thing that will always remain valuable and never fade away.
Final Grade: A
“Pure Gold” from Illumination is available on all streaming platforms.
Kicking off my first interview is DMV based rapper K-Quick
On the morning of February 8, 1977, Tony Kiritsis walked into a mortgage office in Indianapolis convinced the system had finally turned on him. What followed was one of the most unsettling media spectacles of the decade: a 63-hour hostage standoff in which Kiritsis literally wired a sawed-off shotgun to both his victim’s neck and his own chest. It was desperation theater, broadcast live, raw and ugly, and fueled by a man who believed grievance was the same thing as righteousness.
Eric Benét’s holiday album, “It’s Christmas”, finds the four-time Grammy nominee embracing comfort rather than challenge. He delivers a collection that is impeccably sung and tastefully arranged, though it ultimately feels a bit too cautious for an artist of his talent and history.