Following the lukewarm response to Sisqo’s second album in 2001, Dru Hill returned with a new member Scola in 2002 for the vastly underpromoted Dru World Order. The group would spend the next eight years touring and eventually add new member Tao for its fourth album InDRUpendence Day this week’s Second Listen Sunday pick.
Eight years is an eternity in the music business, but Dru Hill had four lead singers, so how would they sound in the age of streaming? The group reunited with past collaborators Keith Sweat, Nate Mooring, and Wirlie Morris, so the potential was there. Initially, I didn’t care for the album as The album’s first half was filled with secondary Will I Am-style beats. The songs sound better suited for Justin Bieber or Bruno Mars instead of a group like Dru Hill.
However, I now realize what Dru Hill was going for, and I won’t fault them for trying to branch out since that sound was the famous sound at the time. The CD starts to pick up with “Remain Silent,” which is the signature Dru Hill slow jam vibe I like. “State of Emergency” follows and is another mood setter while Sisqo & Jazz both have a chance to shine on “Back To The “Future’ & “Love MD.” The album’s final ballad, “Away,” still sounds fresh and would feel right at home on any streaming Black-led series. The album ends with a decent cover of Tears For Fears’ “Everybody Wants To Rule The World.”
While InDRUpendence Day is my least revisited Dru Hill album, I respect them for trying something new. Besides, Dru Hill has album tracks from its three albums that are better than some people’s biggest hits running streaming in 2023.
Final Grade: C
InDRUpendence Day is available on most streaming platforms sans Apple Music.
For their second single, the group presented a ballad entitled “Feels Like The First Time.” Once again, Greene handles the lyrics, while Neville Hodge is responsible for production duties. Greene begins the song with robust energy, proclaiming his love for the lady. Greene’s group members provide stellar work on the background vocals, and the songs eschew nineties R&B without going into crass vulgarity.
The ballad was composed by Michael Masser and lyricist Gerry Goffin, and it was first recorded by Dionne Warwick in 1981. Eight years later, Natalie Cole covered the song, shortening the title. It became the fourth single from her twelfth album, “Good to Be Back.”
Braxton’s vocal talent is perfect on the standards “Christmas Time Is Here,” “Have Yourself a Merry Little Christmas,” and “The Christmas Song.” However, like any good R&B Christmas album, it is the soulful yuletide bops where Braxton truly shines. The album’s first single, “Snowflakes of Love,” is instrumental of Earl Klugh’s “Now We’re One”. Braxton’s lush vocals encapsulate the warmth and joy of romantic love amidst a wintery backdrop.