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Derrick Dunn

“Desert Dawn is a routine actioner”

Kellan Lutz maintains his status as a direct-to-home action hero with his latest film, “Desert Dawn.” This film reunites him with his “Twilight” co-star, Cam Gigandet. Saban Films produced the movie, which was directed by Marty Murray, based on a script written by Chad Law, Johnny Walters, and Art Camacho.

Luke (Lutz) is a recovering alcoholic who has returned to his small New Mexico, where he has just been appointed Sheriff. While his uncle Jim is happy to see him, his former best friend John(Gigandet) has a beef as he’s become Luke’s reluctant deputy. Further complicating matters is Luke’s attempts to make amends with Cheyenne Gomez (Helena Haro), his former girlfriend, who is now the town doctor.

However, Luke and John soon become entangled in a complex web of lies and corruption. The investigation begins when they stumble upon the murder of a mysterious woman, whose death reveals connections to a dangerous conspiracy. As they dig deeper, they uncover links to unscrupulous business people and a powerful drug cartel headed by the ruthless Fernando Carrillo (Guillermo Iván). Their pursuit of the truth takes them through a treacherous landscape of deceit, where every clue leads them further into peril and challenges their moral integrity.

Before breaking into acting, Kellan Lutz worked as a model, shaping the early roles he was offered. Although he gained significant recognition from the “Twilight” series, his true potential was showcased in the show “Generation Kill.” Since the release of the last “Twilight” film in 2012, Lutz has found a comfortable niche in low-budget action films, collaborating with notable actors such as Bruce Willis and Jesse Williams.

“Desert Dawn” follows a typical template, but like most films of this genre, the tone is uneven. The script attempts to juggle numerous plot threads over its short run but never finds its footing. Lutz does shoe promise in the heavier moments, which validates that he needs better material. I also commend the script for avoiding plot armor for his character.

Cam Gigandet delivers a performance that feels almost like he’s on autopilot throughout the film, lacking the depth and engagement one might hope for. The action sequences, which feature a mix of gun battles and fistfights, unfortunately fall short, never rising above a television-level quality. The most disappointing aspect of the movie is its climax, where a character’s unexpected turn to villainy feels clichéd and lacks any meaningful purpose, serving merely as a shock tactic with little payoff.

While I’m still rooting for Kellan Lutz, “Desert Dawn” is another weak entry in his filmography.

Final Grade: C-.

“Desert Dawn” is available in select theaters, on digital and On Demand on May 16th.

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